Civilization, the doctor said, would be laid waste. Almost more sickening to me was her explanation of what this meant: no architecture, no painting, no music, no literature.
Dr. Caldicott: âAnd the survivors would die of a synergetic combination of starvation, radiation sickness, epidemics of infection, sunburn, blindness, and grief.â
At these words Sonia, who had been quaking next to me, lurched from her seat and bolted for the door. It opened with a yawn into the silence on the other side before thudding closed again. I was still sitting in the theatre, stunned, but I knew I would follow her through that door and that on the other side everything would be different now.
We huddled together on the rocks. More than cold, we were frightened. I was nearly numb. This is what people feel like when the doctor tells them they have cancer, I thought. I thought: Iâm going to die. I have until 1985 . I have thirteen months to live. Weâd gotten off the bus at our usual stop, but instead of going home, Sonia had taken my hand and led me the two blocks to the beach. We staggered together, helping each other along an unlit path between two houses, down a set of slippery concrete steps. Iâd hardly been to the beach, never at night or by this secret route, so when I looked around I really was seeing it for the first time. Across the strait, the mountains wore tiarasâlights from the ski hills. West Vancouver twinkled at their feet. I saw the void of Stanley Park and the Emerald City brilliance of the West End. In thirteen months it would all be gone.
Sonia put her head on my shoulder and began to cry. After a few minutes she stopped. It was physically impossible to keep shedding tears at the rate she had. âIâll never get married,â she said, using her sleeve to dry her face. âIâll never have children. Iâll never have grandchildren.â
I started crying too when, the moment before, Iâd been in shock. I never expected to get married and have children either, but the fact that Sonia wouldnât seemed unspeakably sad. But what Dr. Caldicott had said about the end of civilization, the end of literature, that was what broke my heart.
No Turgenev. No Tolstoy. No Chekhov.
Sonia: âFor me itâs the children. The children whoâll never be born and whoâll die so horribly.â
I asked her what we could do.
âWeâve got to talk to people, Jane. Tell them the truth. All over the world itâs happening. People are saying no. Theyâre saying these weapons arenât making us safer. The opposite!â
The house was dark when we got back. Hector was asleep in the living room and Pete and Dieter were out. Sonia brought me to the kitchen. I felt for the light switch but when I turned it on, she immediately snapped it off and, letting go of my hand, shuffled away in the dark. I heard a click. Gradually my eyes readjusted and I saw the shape of her waiting at the stove, hands clasped like she was praying to it. The coil blushed and, as the colour deepened, I could make out her face in the glow. She was grimacing.
âThis is what I do,â she told me, letting her hand hover above the burner. âThis is how Iâm getting ready for the burns.â
Many times that weekend I started a letter to my parents, both to warn them and assure them that, contrary to the impression I might have given over the last few years, I loved them very much. Unable to find the words that truly expressed our predicament, I tore the letters up. I thought of my father at the bus depot in Edmonton telling me that if anything bad ever happened to me heâd buy a horse, a dog, and a gun and ride away and no one would ever hear from him again.
âWhat will you call the horse?â Iâd asked, like I used to when I was little.
âCasimir.â
âAnd the dog?â
âPatches.â
âThe gun?â
âBlack Beauty.â
There