Free Spirit - Stallion of the Cimarron: Music from the Original Motion Picture by Bryan Adams

THE PRODUCTION
     
    Directed by Kelly Asbury and Lorna Cook and produced by Mireille Soria and Jeffrey Katzenberg from a screenplay by John Fusco, DreamWorks Pictures’ Spirit: Stallion of the Cimarron goes to show that what is regarded these days as traditional animation is anything but traditional. With previous character animation—as in a 2-D (“traditional animation”) film—computer rendering had been relegated primarily to background “extras.” Here, even the lead characters, including Spirit, are sometimes computer animated, depending on the needs of the shot. In fact, there are perfectly seamless transitions from computer to traditional animation involving a single character in a single scene that no one but a seasoned animator would be able to discern. According to producer Jeffrey Katzenberg, “The computer is not the nemesis of traditional animation. What I wanted to do with this film was to take hand-drawn animation and marry it together with state-of-the-art technology to create a film that is the best of both worlds.”
    THE STORY
    After first meeting Spirit as a newborn colt, we follow him as he grows to become the leader of the Cimarron herd and takes on the responsibility of protecting them. One night he hears, drifting down from the hills, a harmonica playing “Red River Valley,” a sound completely foreign to the wild mustang. Looking to see the origin of this mysterious noise, Spirit’s eyes are caught by an unusual light in the distance, and he sets out to investigate it. The light turns out to be a campfire, and Spirit encounters man for the first time. A dramatic chase ensues, and Spirit is finally captured.
     
    Spirit is sold to the Cavalry, where he meets the Colonel, who orders his men to “break that horse.” One by one, the soldiers try to ride Spirit, who responds with actions that speak louder than words. When Spirit finally gets his point across, the Colonel resorts to a different tactic—having Spirit tied to a post with no food or water. At that point, Spirit meets another “two-legged,” a young Lakota Indian brave named Little Creek, who, to Spirit’s bewilderment, is also being held captive by the Cavalry. With each other’s help, the pair make a daring escape from the fort, and Little Creek takes Spirit back to his village. There the mustang stallion meets Rain, Little Creek’s beautiful paint mare, and the two horses begin a tentative courtship.
     
    But Spirit’s happiness is short-lived. In an attack on the village, Rain is mortally wounded, and soon after, Spirit is recaptured and loaded onto a boxcar on a train bound for points unknown. The recapture does what nothing before could: it breaks the seemingly indomitable will of the fiercely independent stallion. Yet, even in his despair as the train takes him farther from home, we hear the beginnings of his rallying cry. According to Director Asbury, “Spirit sees a vision of his homeland, his herd and his mother, and it reminds him that he does have something to live for...to keep fighting for. Freedom is everyone’s birthright, and it’s worth fighting for.”
    ABOUT THE CAST AND MUSIC
    MATT DAMON “Spirit”
    Actor Matt Damon provides the first-person narrative voice for the character of Spirit at pivotal points in the story. “Jeffrey [Katzenberg] called and said he had an animated movie he’d like me to see and maybe take part in,” Damon recalls. “I walked in, sat down, and was totally blown away. There was so much to the animation and to the character that was already there on the screen. I told him I’d love to be a part of it.” Katzenberg remarks, “I can’t tell you how much Matt added to those moments when we hear Spirit’s thoughts in the movie. He brought a dynamic to this character that is just priceless.”
    DANIEL STUDI “Little Creek”
    “Little Creek and Spirit are two similar facets of the unsettled West,” says Daniel Studi , the young Native American actor who is the voice of