Free The Grotesque by Patrick McGrath Page A

still fled across the face of the moon. We passed through the graveyard in silence, passed the scattered, tilting headstones, whose shadows were linked in shifting arabesques by the delicate tracery of the foliage of the trees along the fence, and but for the stirring of the boughs, and of their shadows on the moon-bleached grass, all was still as death.
    We went round to the back of the church to the priest’s cottage, and knocked on the door. Patrick Pin had not seen Sidney. Hunched in the dark little entrance of his cottage, the fat priest tried hard to get us inside, but I refused. We retraced our steps to the car, then drove out to Ceck’s Bottom, on the possibility that Sidney had gone to see George. Off to our left, over the marsh, the moon hung huge and low and yellow against the sky. I began, then, to form an idea of what might have happened to Sidney, though I said nothing to Cleo.
    I parked in the yard, beside the swill lorry. George’s farmhouse was a square, squat, yellowing structure, and this night it seemed to glow, somehow, with an eerily vivid and unwholesome luster. I pushed open the back door and shouted his name. There was no answer. We went in, and the wind, which had freshened considerably in the last few minutes, slammed the door behind us with a bang. The kitchen was empty. A naked bulb hung from a length of twisted cord in the middle of the room and shed a dull, harsh light on the few sticks of furniture, the flagstoned floor, the rusting stove with its tin chimney rising crookedly through a hole in the ceiling and rattling dully as the wind came gusting down. A first volley of rain beat up against the window, which was uncurtained, one smashed pane patched over with a piece of damp cardboard. “George!” I shouted, and again there was no answer. It was weirdly disturbing, and my scalp for a moment prickled with a vague sense of dread—his lorry was in the yard and the light was on, but where was the man himself? I told Cleo to wait in the kitchen while I went through the house; but all the rooms were empty. “He’s not here,” I told her as I came back into the kitchen. The rain was lashing the windows by this time, and we could hear the pigs grunting on the far side of the yard. There was suddenly an ugly noise overhead, and Cleo turned to me, her eyes bright with alarm. It was a raspy, grating, scraping sound, and it seemed to accelerate, and as it did so it grew thunderously loud—it was a slate, I realized, dislodged by the wind, sliding down the roof. A second later it shattered on the stones of the yard, just outside the kitchen door. “Let’s go back,” said Cleo, with a shiver. It was all very uncanny. We returned to Crook in silence.
    We left the front door unlocked that night, and we left the lights on in the drawing room. But Sidney did not come back.
    ❖
    “I suppose,” said Harriet at breakfast, “we should telephone his mother. Perhaps he’s gone home.”
    “But why, Mummy?” said Cleo, looking up from her boiled egg, the shell of which she was listlessly tapping with the back of her spoon. “Why on earth would he go home without telling anyone?”
    “I don’t know, darling,” said Harriet. “And please don’t play with your egg.” She threw up her hands. “I simply don’t understand the boy, do you, Hugo?”
    I was behind my Times. I lowered it briefly. “Frankly no,” I said. “But you’re right, Harriet. Mrs. Giblet should be telephoned. I think you should do it.”
    Harriet sighed. “Yes, I suppose I should.”
    “Do it now, Mummy,” said Cleo. “I just hate all this not knowing.”
    ❖
    Poor Cleo. I’d said I didn’t understand why Sidney had not returned to Crook. In fact I’d begun to form a pretty good hypothesis. That it was connected to his dealings with Fledge, this, I think, was clear; and it was my opinion that Fledge had attempted to blackmail the boy. It would hardly be the first time, after all, that a servant had tried to extort