Brian's Winter
could do nothing until she was skinned.
    He used the knife to slit the hide from the neck, down the chest and belly to the back end. He had to cut around the lance—which had broken off after driving into her—and the arrow shaft still sticking out because they wouldn’t pull free.
    The skin came away harder than with the doe, was thicker and had to be cut loose as he skinned, peeling it back a half inch at a time all along her body. When he cut along the belly the knife slipped and cut the membrane holding the stomach in and her guts fell out on his feet, steaming, and he went ahead and pulled them the rest of the way out, amazed at how much there was inside her. The liver alone weighed more than two rabbits and he set it aside to cook later.
    With the guts out of her she was easier to move—still very hard, but some easier—and he quickly developed a rhythm for skinning. Pull on the hide, slide the knife along, pull, slide, pull, slide. In half an hour he had lifted the hide completely off her right side, cutting it around the neck just under her head, and folded it over her back, completely exposing her right side.
    He had never, even in a butcher shop, seen so much meat in one place. She was a house of meat. Again he lifted the back leg and couldn’t move her, even with the guts out. But as he lifted the leg he noted that there seemed to be a seam where the leg joined the body, a junction, and he put the knife there and cut and the leg lifted away from the body.
    He kept lifting and cutting, all around the top of the back leg, pushing up as he did so until it was joined only at the hip socket, which rotated freely, and he cut around the socket with the knife, and it popped loose and the leg lifted completely away.
    Just that, her back leg, was heavier than the doe, and he realized it would be hard to get the leg back to the shelter.
    This would be a long job. He decided to pull the leg back and then return to finish up. An all-night job. And it would be cold.
    He took off with the leg and used nearly twenty minutes just to pull it to the shelter and was almost exhausted when he got there. He stored it along the wall and went back to where the body of the cow lay.
    It was now midday and he was starving. He took fifteen minutes to gather wood and start a fire near the carcass and when it was blazing well he cut a strip of meat from the rump near where he’d lifted the leg off and hung it over a stick so that it was nearly in the flames.
    He went back to cutting and skinning while it cooked. He cut away the right front shoulder—it lifted off much the same as the rear leg, the shoulder blade cutting away, and then the leg, and he dragged it back to camp and when he returned, the meat on the stick was perfect: burned a little on the outside and cooked clear through.
    He cut pieces off and ate it standing there, looking down at the rest of the cow, and he thought he’d never tasted meat so good. It was better than deer or rabbit or foolbirds, better than beef. And there was fat on it, more fat than the doe had, and he craved fat, ate one piece of fat alone that was hanging on the side of the meat and had cooked separately and still craved it. He cut two large pieces of fat off the carcass and hung them over the fire to cook while he went back to work.
    With the right legs gone she was lighter and by lifting the legs on the ground he found he could just roll her over to get at the uncompleted side.
    Once she was over he skinned the side as he’d done the first one, working up to the back after cutting around the legs until the hide was completely free of the carcass. Then he cut the legs loose, dragged them one at a time back to camp and returned to the body of the moose in darkness.
    Finding his way was no problem because there was a half-moon and it lighted the snow into something close to daylight. But the cold came now and he had no gloves. His hands chilled as he worked on the damp meat and he had to warm them

Similar Books

A Clockwork Heart

Liesel Schwarz

Don't Call Me Ishmael

Michael Gerard Bauer

The Sheriff's Son

Stella Bagwell

Twin Fantasies

Opal Carew

Loving Care

Gail Gaymer Martin

A Figure in Hiding

Franklin W. Dixon