Free Rough Country by John Sandford Page B

lying, she said. I lie a lot. Like you.
    THE BAND WAS ON, singing a Dixie Chicks song which, like all the other Dixie Chicks songs, Virgil didn't like. Not so much that he didn't like them, it was just that they affected him like the Vulcan nerve pinch, and caused him to crumple to the ground and drool. They got the last booth and Virgil checked the crowd probably fifty women and eight or ten men and then the singer.
    Wendy was a fleshy blond beauty in the Janis Joplin mold not crystal-pretty, like the blondes big in Nashville, but stronger, with breasts that moved in their own directions when she turned, over a narrow waist and long legs. She was wearing a deliberately fruity cowgirl suit, a white leather blouse and skirt with leather fringes, and cowboy boots like Zoe's. And lipstick: she had a large mouth, with wide lips, coated with deep red lipstick that glistened in the bandstand lights. Here was the source of the kiss-card that he'd found in McDill's cabin, Virgil thought.
    She could sing. Again, not the currently popular Nashville crystal-soprano, but a throwback to the whiskey-voiced singers of an older generation. Virgil actually listened to the song, although the words themselves threatened to lower his IQ. When she finished, Wendy said, in the whiskey voice, One more song this set, for those of you who like to dance, a little old northern Minnesota slow-waltz, The Artists' Waltz.' I wrote it myself and I hope you like it.
    Virgil did: like it.
    A dozen couples, all women, danced to the music, as Chuck turned the rheostat and the lights dimmed, a real slow-waltz and terrifically romantic. Virgil listened all the way through, alternately watching Wendy, and then watching Zoe, whose face was fixed on Wendy's, and whose hands were clenched on the table, the knuckles white. She had lied to him, Virgil thought. Even if he'd said, Hannah and Her Sisters, he wouldn't have gotten laid, because the girl was already in love.
    Wendy finished and said, We're gonna take fifteen minutes, back to you then with another hour of the finest Wild Goose music. Thank you . . .
    THE SOUND LEVEL DROPPED, and Zoe, halfway through her beer, leaned forward and asked, What's the question you couldn't put on the cell phone?
    Virgil shook his head. He almost didn't want to ask it, now that he'd seen her reaction to Wendy. On the other hand, unasked questions didn't often solve murders.
    Look, he said, I was watching you watching Wendy, and I didn't realize how attached you were. Are. Whatever.
    I'm not attached. We're all done, Zoe said.
    If she'd take you back, would you go? Virgil asked.
    She said, No, but her hands were doing their twist again. Virgil shook his head, and she said, All right yes.
    That's better, Virgil said. You're really a horseshit liar.
    What does that have to do with the question?
    Looking right in her eyes, Virgil asked, Did you know Wendy spent the night before last with Erica McDill, at her cabin at the Eagle's Lair?
    Eagle Nest, and I don't believe you, Zoe said. She was looking straight back at him, and he felt that she was telling the truth. Then she said, Why would you try to tell me something like that? Are you trying to get me to spread the lie around?
    Virgil opened his mouth to answer, when Wendy dropped in the booth next to Virgil, her thigh against his. She looked across the table at Zoe, said, Hey, babe, and then at Virgil, then back to Zoe, and asked, Who's the hunny-bunny?
    He's the cop investigating the murder at the lodge, Zoe said.
    Wendy tensed just a hair; Virgil saw and felt it.
    Zoe added, He's the guy who massacred all the Vietnamese up at International Falls. He looks like a surfer boy, but he's a stone killer.
    Hey, Virgil said. I . . .
    The drummer, Berni/Raven, came up on Zoe's side of the table, looking first at Wendy, then at Zoe, and said, I thought you might be over here.
    Wendy tossed her hair back, like Marilyn Monroe might have done, and said, Oh, God, don't be evil.
    I know, you're just