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gaudy statement of imperial might and confidence, is silent and dark; for the British taipans have fled; the
North China Daily News
no longer prints its gossip, its pious reprimands, its complaisant affirmations of the world situation. Even Sasson House, the most elegant facade on the Bund, built on profits from the opium trade, has been demoted to the mundane task of housing the Headquarters of the Occupation Forces. The greedy French, the swaggering British, the pompous Germans, the opportunistic Americans are all gone. Shanghai is under the control of the Japanese.
    General Kishikawa reflects on the uncanny resemblance between this young man across the Gô board and his mother: almost as though Alexandra Ivanovna had produced her son parthenogenetically—a feat those who had experienced her overwhelming social presence would consider well within her capacity. The young man has the same angular line of jaw, the same broad forehead and high cheekbones, the fine nose that is spared the Slavic curse of causing interlocutors to feel they are staring into the barrels of a shotgun. But most intriguing to Kishikawa-san are comparisons between the boy’s eyes and the mother’s. Comparisons and contrasts. Physically, their eyes are identical: large, deepset, and of that startling bottle-green color unique to the Countess’s family. But the polar differences in personality between mother and son are manifest in the articulation and intensity of gaze, in the dimming and crystallizing of those sinople eyes. While the mothers glance was bewitching, the son’s is cool. Where the mother used her eyes to fascinate, the boy uses his to dismiss. What in her look was coquetry, in his is arrogance. The light that shone from her eyes is still and internal in his. Her eyes expressed humor; his express wit. She charmed; he disturbs.
    Alexandra Ivanovna was an egotist; Nicholai is an egoist.
    Although the General’s Oriental frame of reference does not remark it, by Western criteria Nicholai looks very young for his fifteen years. Only the frigidity of his too-green eyes and a certain firm set of mouth keeps his face from being too delicate, too finely formed for a male. A vague discomfort over his physical beauty prompted Nicholai from an early age to engage in the most vigorous and combative of sports. He trained in classic, rather old-fashioned jiujitsu, and he played rugby with the international side against the sons of the British taipans with an effectiveness that bordered on brutality. Although Nicholai understood the stiff charade of fair play and sportsmanship with which the British protect themselves from real defeat, he preferred the responsibilities of victory to the comforts of losing with grace. But he did not really like team sports, preferring to win or lose by virtue of his own skill and toughness. And his emotional toughness was such that he almost always won, as a matter of will.
    Alexandra Ivanovna almost always won too, not as a matter of will, but as a matter of right. When she appeared in Shanghai in the autumn of 1922 with an astonishing amount of baggage and no visible means of support, she relied upon her previous social position in St. Petersburg to grant her leadership in the growing community of displaced White Russians—so called by the ruling British, not because they came from Belorosskiya, but because they were obviously not “red.” She immediately created about her an admiring court that included the most interesting men of the colony. To be interesting to Alexandra Ivanovna, one had to be rich, handsome, or witty; and it was the major annoyance of her life that she seldom found two of these qualities in one man, and never all three.
    There were no other women near the core of her society; the Countess found women dull and, in her opinion, superfluous, as she could fully occupy the minds and attentions of a dozen men at one time, keeping a soirée atmosphere witty, brisk, and just naughty enough.
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