retaliation, the unwanted ladies of the International Settlement declared that nothing in this world could tempt them to be seen in public with the Countess, and they fervently wished their husbands and fiancées shared their fine sense of propriety. By shrugs and hums and pursings of lips, these peripheral ladies made it known that they suspected a causal relationship between two social paradoxes: the first being that the Countess maintained a lavish household although she had arrived penniless; and the second being that she was constantly surrounded by the most desirable men of the international community, despite the fact that she lacked all those sterner virtues the ladies had been assured by their mothers were more important and durable than mere charm and beauty. These women would have been glad to include the Countess within that body of White Russian women who trickled into China from Manchuria, sold what pitiful goods and Jewelry they had managed to escape with, and finally were driven to sustain themselves by vending the comfort of their laps. But these arid, righteous women were denied that facile dismissal by the knowledge that the Countess was one of those not uncommon anomalies of the Tzarist court, a Russian noblewoman without a drop of Slavic blood in her all-too-visible (and possibly available) body. Alexandra Ivanovna (whose father’s given name had been Johann) was a Hapsburg with connections to a minor German royal family that had immigrated to England with nothing but their Protestantism to recommend them, and which had recently changed its name to one of less Hunnish sound as a gesture of patriotism. Still, the proper ladies of the settlement averred that even such deep quarterings were not proof of moral rectitude in those Flapper days; nor, despite the Countess’s apparent assumption, an adequate substitute for it.
During the third season of her reign, Alexandra Ivanovna appeared to settle her attentions upon a vain young Prussian who possessed that pellucid, superficial intelligence untrammelled by sensitivity that is common to his race. Count Helmut von Keitel zum Hel became her companion of record—her pet and toy. Ten years younger than she, the Count possessed great physical beauty and athletic prowess. He was an expert horseman and a fencer of note. She thought of him as a decorative setting for her, and the only public statement she ever made concerning their relationship was to speak of him as “adequate breeding stock.”
It was her practice to pass the heavy, humid months of summer in a villa in the uplands. One autumn she returned later than usual to Shanghai, and thenceforward there was a baby boy in the household. As a matter of form, young von Keitel zum Hel proposed marriage. She laughed lightly and told him that, while it had been her intention all along to create a child as a living argument against mongrel egalitarianism, she did not feel the slightest impulse to have
two
children about the house. He bowed with the rigid petulance that serves Prussians as a substitute for dignity, and made arrangements to return to Germany within the month.
Far from concealing the boy or the circumstances of his birth, she made him the ornament of her salon. When official requirements made it necessary that she name him, she called him Nicholai Hel, taking the last name from a little river bordering the Keitel estate. Alexandra Ivanovna’s view of her own role in the production of the lad was manifest in the fact that his full name was Nicholai Alexandrovitch Hel.
A series of English nannies followed one another through the household, so English joined French, Russian, and German as the languages of the crib, with no particular preference shown, save for Alexandra Ivanovna’s conviction that certain languages were best for expressing certain classes of thought. One spoke of love and other trivia in French; one discussed tragedy and disaster in Russian; one did business in German; and one
R. L. Lafevers, Yoko Tanaka