wide, generous smile and the kind of brown hair that turned red in the summer. As she leaned toward me, she murmured, âYour brother worries about you. He just doesnât know how to show it.â
âSending over a strawberry cake is a fine start,â I said, giving her shoulder a squeeze.
âYou know that was my idea.â Turning to Fleurette, she said, âHave you really been watching a picture get made all day?â
Fleurette began a lively and elaborate report in which she not only managed to keep our meeting with Lucy Blake a secret, but invented an afternoonâs worth of activities to explain the length of our absence, including an actual derailed streetcar that forced a lengthy detour, an impromptu turn through the piano shop to hear a demonstration of new sheet music, and an encounter with a street vendor selling green African parrots from an enormous brass cage. The parrots spoke French, she said, and a little Dutch, but when asked their nationality would reply in a chorus, âWeâre Spanish!â The man selling them could offer no explanation for that. He merely laughed and shrugged and offered Fleurette a good price if she would take two.
The ease with which these small, meaningless lies unraveled from her tongue astonished me. Who taught her to fabricate such stories? I could hardly look at Norma while Fleurette spun those outlandish tales. For once Norma seemed not at all suspicious of the story being told to her, and Bessie was completely taken in by it, leaving us with a wave of her hand and shaking her head over the idea of parrots with French accents. It made me wonder how often I, too, had let Fleurette fool me.
Â
ALL EVENING I tried to push Lucy out of my mind, but her predicament tugged at me. I couldnât stop thinking about the possibility that somewhere, at the center of this mess, that girlâs child was missing.
Norma knocked at my bedroom door that night just as I was getting into bed. She sat on the edge of the mattress, one leg tucked under her and the other stretched out alongside me. She smelled of milk soap from her bath, and rice powder, and her hair was all wet curls, each one lifting individually as it dried in the warm night air.
She had a way of pursing her lips when she had something serious to say. I knew better than to ask directly and just waited to hear what it was.
âGreen African parrots?â she asked.
âWhat about them?â
âWhere did Fleurette get the story about the man selling green parrots on the street? You didnât expect me to believe that, did you?â
I had to smile. âNo. I was surprised that you did.â
âWell, I didnât.â Norma looked down and smoothed the wrinkles out of the bedspread. âThis has to do with Henry Kaufman, doesnât it?â
âWellâin a way, yes. It does.â
âI canât believe you would take Fleurette to see that man. We hardly let her out of the house for years, and now youâre parading her in front of a criminal. Why would youââ
âBut it wasnât Mr. Kaufman. It was a girl from the factory.â
âWe donât know any girls from factories.â
âI saw her when I went to Mr. Kaufmanâs office, and we ran into her on the sidewalk today. She . . . she thought I was in a different sort of trouble with him.â
âDifferent sort of trouble?â she said, looking up and fixing those sharp eyes on me. âHow many different sorts of trouble does Mr. Kaufman have to offer?â
âThe girl, whose name is Lucyââ
âDonât tell me her name.â
âI donât have to tell you any of this.â
âNo, tell me. What about her?â
âShe had a baby.â
âOh. And she asked for your expertise?â Norma raised an eyebrow at me.
âNorma! The babyâs gone missing. Lucy thinks Mr. Kaufman had something to do with
Xara X. Piper;Xanakas Vaughn