The Infinity Concerto

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Authors: Greg Bear
bark of each log lay folded next to its partitioned innards.

    Michael wasn't encouraged. Like a lizard, he waited for the sun to come up and warm his blood. He hadn't resolved anything during the night - the hours had been spent in a cold stupor - but the conviction of his inadequacy had solidified.

    The sun appeared in the east, a distant red curve topping a hill beyond the main branch of the river. Without thinking, Michael uncurled his arms and legs and stood on the rock to catch the first rays of warmth. His bones cracked and his legs almost collapsed under him, but he staggered and kept his balance. His clothes were soaked with dew.

    The hut was quiet and dark, likewise the village. In a few minutes, however, just when he thought he might be catching some warmth from the new day, he heard activity from the Halftown houses. Curls of smoke began to rise from their stone and mud-brick chimneys.

    He heard a woman singing. At first, he was too intent on just getting warm to pay much attention, but as the voice grew near, he angled his head and saw a young Breed female fording the stream on the flat rocks, barefoot. She wore cloth pants ending at the knees and a vest laced together with string. Her hair was raven black - uncharacteristic, he thought - but her face bore the unmistakable mark of the Sidhe, long with prominent cheeks and a narrow, straight nose. She carried four buckets covered with cloth caps, two in each hand. She glanced at Michael on her way to the Crane Women's hut.

    "Hoy," she greeted.

    "Hello," Michael returned. She stopped before the door, which opened a crack. A long-fingered hand stretched out and took two buckets, withdrew, then emerged to take two more. The door closed and the woman reversed her course. She paused, cocked her head at Michael, then started toward him.

    "Oh, God," he said under his breath. He was just warm enough to shiver and he badly needed to piss. He didn't want to talk to anyone, much less a Breed woman.

    "You're human," she said, stopping about six paces from the boulders. "Yet they gave you wood."

    He nodded, arms still unfolded to catch the warmth.

    "You're an English speaker," she continued. "And you come from the Isomage's house. That's all they say about you in Halftown."

    He nodded again. Beneath all the cold and misery was a steady current of shyness. Her voice was disarmingly beautiful. He would have to get used to Sidhe and Breed voices.

    "It will be warm soon," she said, walking toward the stream. "If you have time today, come to the village and I'll give you a card for milk and cheese. Everybody needs to eat. Just ask for Eleuth."

    "I will," he said, his voice cracking. When she had crossed the creek, he clambered down from the rock, walked some distance away, and knelt down to hide himself while he urinated. He felt like some animal, barely domesticated. A pet of the Breeds.

    The door to the Crane Women's hut opened and Spart emerged carrying a roll of cloth. She stared at him balefully, unfurled the cloth and flapped it. An exaltation of tiny birds flew from its folds and circled the house, then headed north. Without explanation, Spart returned to the house and closed the door behind.

    Massaging blood back into his legs, Michael looked doubtfully at the piles of lumber. He picked up the sheets of bark and discovered that they could be peeled into light, strong strips with a ropy toughness. He thought about how to put a hut together and shook his head. He'd need tools - nails, certainly, and a knife and saw.

    Even as he speculated half-heartedly, he asked himself what the hell good it was, building a house where he didn't belong.

    "You have a long way to go."

    Nare stood behind him. Her eyes were large, like an owl's but mobile. Her long red-gray hair was an unbraided radiance, spreading to its widest point behind her knees. "Now that you have the grace of wood, what are you going to do with it?"

    "I need tools."

    "I don't think so. Are you aware

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