what the grace of wood means?"
He thought for a moment. "Humans don't get much."
"Humans get scrap. Not even Breeds can get wood all the time. The finest wood is reserved for the Sidhe. Like as not they have ancestors in it."
"I don't understand," Michael said.
"The Sidhe are immortal, but if they die in battle or through some other faulting, the Arborals press them into tree. They dwell there awhile, then request oblivion. Arborals do then-work, and we have wood."
"I heard a voice last night."
Nare nodded. Bending over, she picked up a plank and held it out to Michael. One long forefinger pressed against the edge and a notch fell out. "Feel and press. Riddle how it all goes together. Wood was shaped into a house by the Sidhe that dwelled within. Just puzzle it. Maza."
"Today?" Michael asked.
"Today is all the time you have." Nare headed for the creek and dove in like an otter. He didn't see her come up.
For the next few hours, trying to ignore his hunger, Michael took each board and beam and pressed, poked and rubbed the surfaces until he found the removable pieces. At first he took the small pieces and tossed them aside, but thought better of it and gathered them into a small pile. - It became obvious that he could fit some of the pieces into holes in the planks, and use them to slide into notches in the beams. It reminded him of a wooden puzzle he had at home, only much more complex. When the sun was high, he had managed to assemble two planks and one beam, with no idea where to go from there. He didn't even know what shape the house would be.
Spart, the Crane Woman with tattoos all over and the melodious voice, came to him from the hut and offered a wooden bowl. Inside was cold gruel, a piece of fruit and a puddle of thin milk. He ate it without complaint. She watched, one long arm twitching now and then, and removed the bowl from his hands when he was done.
"When you have finished the house, you will go into the village and announce yourself at the market. They will allow for your food. Also, while you're here, you can carry messages for us, and otherwise make yourself useful." She glanced at the pile of wood. "If you haven't puzzled it by dawn tomorrow, it's not your wood any more."
He stared at her tattoos. She didn't seem to mind, but she bent down and tapped the wood meaningfully. He set to work again and she walked back toward the house.
"Is it safe to drink the water?" he called after her.
"I wouldn't know," she said.
By evening, with all his ingenuity he had succeeded in figuring out that the house would be square, about two yards on each side, without a roof or floor. He would apparently have to gather grass or something for the roof, and that discouraged him. He was ravenous, but no more food was brought out.
"Maybe they'll feed me when I'm done," he thought. "If."
He discovered the bark could be used for lashings. As the sun and sky went through the same twilight phenomena of the day before, Michael kicked a beam with one foot and held his hand out in front of him. "It's impossible."
But.
He knelt and picked out a square, thick beam whose use he hadn't discovered. He pressed along the grain and it fell apart in neat, almost paper-thin shingles. Then the plan seemed to come together in his mind. He assembled planks and beams, slipped tenon into mortise, lashed the wood together, and took five long, thin curved pieces to make the framework of the roof. When darkness was complete, he had almost finished putting on the shingles. He had one string of bark and two pieces of pressed-out wood left, yet the house seemed complete.
Spart stood outside when he emerged through the low door. She looked at the string in his hand and shook her head. "Pera antros," she said. "If you had built it right, you wouldn't have any pieces left over."
For a moment, he was afraid she might have him dismantle the hut and start all over again, but she pulled a bowl from behind her back and handed it