Free It's Fine By Me by Per Petterson Page B

the hell are you doing?’ I feel the anger inside me, but when she thumps me in the back with her fists, I stop. I grab him under his arms and legs, the yellow-striped jacket is covered in muck. I hold him tight and walk as fast as I can on the pathalongside the rails. He is so small, he is as light as anything and thin and cold as ice, and I start to worry and put my ear to his face to listen for his breathing and then he turns his head with eyes closed and rests his cheek against my chest.
    ‘Papa,’ he whispers.
    ‘For Christ’s sake!’ I say, and she hits me again.
    They live in Rådyrveien at the lower part of Veitvet. The long apartment block is identical to the one that I live in, and it stands at an angle to the road below where Låke used to have his grocery store. It’s closed now, the windows are lined with cardboard and you can see your reflection as you pass. The fields rise up to the left, towards Bredtvet farm and the prison, where the rebel Hans Nielsen Hauge’s statue is standing. The Sunday school is there in the hollow by Condom Creek, and a few years ago there was a ski jump behind a hill near Østre Aker vei. I jumped eighteen metres there once and landed face first. Five stitches.
    The father stands waiting by the door to the tower, tall and thin, searching the street, and when he sees us coming, he breaks into a run. His eyes are red from lack of sleep, and I pass Tommy to him, and he lifts the boy and holds him in his arms, and says, ‘Oh, Jesus.’ And he doesn’t even look at me, just hurries back down. He staggers on, his long legs teeter, he looks like a stork with a giant baby in his beak and Tommy’s feet are dangling down by his hips.
    ‘Maybe you should call an ambulance,’ I say to his sister, ‘he’s not in great shape.’ She nods, and suddenly I feel naked without Tommy in my arms. I turn and look up the street.
    ‘I guess I have to be off. The people waiting for their papers will be pissed off.’
    ‘I know,’ she says with a little smile and puts her arms around me and gives me a kiss on the cheek. ‘Thank you,’ she says. My hands hang down by my side, there is no room for them anywhere, and then she lets go and runs down the road after her father.
    When I am almost up to my barrow, old Abrahamsen is standing there, shifting his weight from foot to foot, peering left to right, and then he spots me hurrying up the hill by the Veitvet waterfall and calls from a distance:
    ‘Can I have one?!’
    ‘Sure!’ I shout back, even though I am quite close now, and there is no other sound.
    ‘Damn,’ he says, ‘I won’t make it to the bus.’ He is really pissed off, but still he doesn’t move. I don’t know what he wants, and all of a sudden I feel weary.
    ‘Well, run off then, or read Arbeiderbladet instead, hell, I don’t know, but I just can’t stay here.’ I take the barrow and set off and then, damn me, if he doesn’t go all friendly.
    ‘Look, Audun,’ he says, and I turn and he says: ‘Well Audun, I’ve watched you walking this round for several years, and I was wondering. How are you really doing?’ He blushes, the old man, and I blush, too, I don’t know how to answer a question like that, so I shrug and wait. He scratches his chin, and there is a rasping sound.
    ‘Well, if there is ever anything, you know where I live.’ He is relieved; he has said what he wanted to say. Heopens the newspaper, and now suddenly he has all the time in the world, and he strolls up the hill past the red telephone booth, and I think to myself, I really don’t get this man. He reads while he is walking, he must have radar or sonar navigation, like a bat at night, because he moves between the posts and the bushes by the kerb without once looking up.
    I finish off Veitvetsvingen as quickly as I can, and only Grevlingveien is left. People are standing on their steps, waiting, and they are not happy. But I don’t look at them or apologise or anything, just push the paper