obviously a habit, he passed between the heavy curtains which screened the bay and unlatched the door to the terrace. Looking out, he observed the change which had come over the landscape since he had stood there before dinner. There was still a glint of moonlight away to the left, but the moon itself was out of sight. The wind was up, driving black clouds before it. In a moment the light would be gone. Behind him in the room the clock on the mantelpiece gave out the first of the four strokes which announced the hour. James Paradine stepped out upon the terrace, walked over to the parapet, and stood there looking down. The last of the moonlight struck a sparkle from the river where it bent by Hunter’s Lea. He thought vaguely about the diamonds he had locked away. Then it was dark.
As the last stroke of twelve died in the empty room, the black clouds opened and the rain came down.
Chapter 12
Half an hour later all the sounds in the house had ceased. The sound of footsteps going to and fro in the wing above the study, the noise of water running into the bath and out of it, the gurgling and murmuring in the pipes as the cistern filled again—all these were past. Refreshed by his bath, Elliot had fallen asleep almost as soon as his head touched the pillow. The house lay in that profound silence which falls upon a place of human habitation when conscious thought and movement are withdrawn. There is a special quality about this silence of a sleeping house. It is a silence of life, as different from the empty stillness of a deserted dwelling as sleep is different from death.
Phyllida had dreamed that she was walking in a garden and it was dusk. The air was full of the scent of roses, and she knew that Elliot was there. She could feel his arm about her, but she couldn’t see his face. Then a woman in a long black veil came out of the dusk and took him away. Phyllida couldn’t see her face either because of the veil, but she thought it was Maisie Dale. In her dream all the pride was melted out of her. She ran after them, calling for Elliot, but he wasn’t there, and the woman in the veil turned round and threw it back. And she wasn’t Maisie Dale, but Grace Paradine. And she said, “I’ll never let you go.”
Phyllida woke up with a sound in her ears like the sound of a cry. She didn’t know whether it was really a cry or not. She woke up in the dark, and she was frightened. A breathless sense of danger just escaped had followed her out of the dream.
She reached out her hand and switched on the bedside light. At once the charm and security of the room closed her in. The dream was gone. She blinked at the light and saw that the hands of the little chromium clock stood at just past twelve. This horrible year was gone. She was glad that there had been no need to sit up and see it go. Let it slink away and be forgotten, like a guest who has stayed too long and whom nobody regrets.
She put out the light again and began to think about seeing Elliot in the morning. This time there must be no risk of someone else between them. She thought, “I’ll ask him to come up to my sitting-room.” Deep down under the thought a little laughter stirred. Funny to be planning an assignation with your husband—funny, and nice. The feeling of having left all the unhappy things behind was strong upon her. Presently she drifted off into a dreamless sleep.
It was Lane’s custom to enter Mr. Paradine’s room at half past seven precisely. The procedure never varied. Advancing a dozen steps, he put down the tray which he carried, after which he closed the open window, drew the curtains across it, and switched on the light. On the first morning of 1943 he observed his usual routine, but as he turned towards the bed he was surprised to find it empty.
His first impression was just that and no more— the bed was empty. But hurrying upon this came perturbation and dismay, because the bed had not been slept in. There were the covers neatly