said.
âCan you tell me the format of e-mails? First name, dot, last name, for instance? Or last name, first initial?â
âNo. Sorry.â
I randomly clicked on a professorâs e-mail link. Instead of an auto-filled e-mail opening up, though, a contact form popped up instead.
âGrrrr,â I said aloud. Using my pen, I rat-a-tat-tatted a frustrated drumbeat on my desk. âThere has to be a way.â
I IMâd Sasha and Fred and asked if either of them knew anyone at Reynard. Sasha reminded me that sheâd spoken briefly to a professor in the universityâs Film Studies Department when weâd been trying to authenticate a series of silent movie posters. *
She gave me Dr. Marcus Achenâs cell phone number, and I got him.
âLet me check,â he said, in heavily accented English, once Iâd explained who I was and what I was after. After a brief pause, he murmured, âDa ist sie.â
There she is, I translated, pleased I recalled even that amount of my mostly forgotten middle school German.
âHer e-mail address is
[email protected],â he said. âSheâs based at our Plymouth campus.â
âPlymouth, Massachusetts?â I asked. âNo, of course notââuk,â got it. England.â
âExactly. But sheâs obviously here, since her phone number is for this campus.â
He read it off. The number listed for her was the same as the departmentâs number, not an unusual occurrence, Dr. Achen explained, when a researcher spends most of her time in the field.
I thanked him, but my sense of accomplishment was short-lived. I didnât want to e-mail Becca. I wanted to talk to her, face-to-face, to be there for her if Ian wasnât with her, if I was the bearer of bad news.
Hank mewed as he walked up to my chair. He stretched, first his top half, then his bottom half; then he jumped into my lap and licked my chin.
âDo I have a dirty spot?â I asked him, stroking his back. âWhat would you do, Hank, if you were me?â I scratched behind his ears, one of his favorite spots. âShe has to live somewhere. She has to have a phone. How can I find her?â
He mewed again, louder this time.
âYou know, youâre right. What a smart fellow you are. When in doubt, call Wes.â
*Â Â Â *Â Â Â *
âBecca Bennington lives in Boston,â I told Wes, âand I need to find her. Her full name is Rebecca Anne Bennington.â
âIan is still missing,â Wes said.
âDonât sound so happy about it.â
âIâm not happy. Iâm intrigued.â
âDonât sound so intrigued.â
âYouâre the one who called me, remember? Is he missing or not, Josie?â
âYes.â
âWhat do you think she knows?â
âNothing.â
âThen why do you want to reach her?â
âBecause I donât know what else to do,â I said, my throat tightening as I spoke, causing me to stumble over the last words. âI donât want to raise a ruckus, but I need to do something. Iâm upset.â
âIâll check it out.â
âThanks, Wes.â
It took Wes five minutes to find Becca. His contact at the electric company gave him her address, an apartment on Park Drive, across from the Fens, not far from the Museum of Fine Arts, and only a ten-minute walk to Reynard University. I was out the door and in my car two minutes after we hung up.
Â
CHAPTER EIGHT
Becca Bennington lived in a real beauty of an 1850-ish three-story brick town house. Built originally as a single-family home, it had been converted, along with scores of similar homes, into apartments sometime during the mid-twentieth century. Inside the vestibule, I counted buzzers. There were six apartments, two to a floor. The sign next to the 1R buzzer, which I assumed referenced the rear apartment on the first floor, read FERGUSON/BENNINGTON . I