Free Someone by Alice McDermott Page A

mother sitting, idly, it seemed to me, on the edge of my bed. She came into my room often enough in those days, but always at a bustle, there to dust the furniture or mop the floor, to place clean clothes in my dresser or to turn the mattress or to scrub the bed frame with ammonia to ward off bedbugs. She came in to pull the blankets up over my shoulders every night, to kiss my forehead and remind me to say my prayers. Her stillness now, sitting here, her hands empty, made her presence particularly peculiar.
    She asked me if I would like to come along with them to the hospital. I couldn’t go upstairs to see my father settle in, you had to be over sixteen to enter the wards, but I could go as far as the lobby.
    I said that would be fine.
    My mother said, looking into her hands. “In sickness and in health.” Then she raised her eyes to me, cautiously, it seemed. “That’s something you must repeat when you are married. When you make your marriage vows.”
    I said, “I know.”
    She raised her chin and even smiled a little, with the kind of subtle admiration she usually turned on Gabe. “Do you now?” she asked me. A kind of mirth entered her eyes. “What else do you know?”
    I recited the entire phrase: “For better, for worse, for richer, for poorer, in sickness and in health, till death do us part.” Until I saw my mother impressed by my knowledge, it never had occurred to me to wonder how I knew the words, from school, from the movies, from my friends. When she asked me, I said, “From my friends.”
    My mother bent her head again and said, “Your friends talk to you about marriage, then. About what goes on.” I believe she was blushing.
    I turned away from her to pick up my brush from the dresser. I began to brush my hair, still damp from my bath. I could see her reflection in my dressing mirror, sitting straight-backed on the edge of my bed, her hands in her lap. “Oh sure,” I said casually.
    “Then you know,” my mother said, “about what goes on.” And in the mirror I saw I still carried the flush from the hot water in the tub. “Oh sure,” I said, not certain even then what I was admitting to.
    From behind me, I heard her sigh. “You’re growing up.” She said it much as she had said it that afternoon, both amused and melancholy, and not a little impatient. I heard the familiar squeak of the bedsprings as she stood. “It’s good that you know these things.” Her voice, like the sound of the springs, seemed to move upward into the room, as if relieved of some weight. “We’ll go downtown after Mass tomorrow,” she said. “Get to bed now.”
    In the morning, after church, the three of us took the trolley to the hospital. My father carried a small black satchel. In the lobby, he put his hand to the top of my head and said, “Be a good girl now”—rolling his tongue the way he did, tasting the sweetness of the joke. He leaned down, and I kissed his cheek, which was smooth-shaven and smelled cleanly of bay rum. And then I nearly knocked his hat off his head as I threw my arms around his neck. He patted my back, and then placed his two hands on my shoulders as he used to do outside the speakeasy, as if to keep me there, unmoving, while he went upstairs with my mother to get settled in.
    When she came down again, the two of us walked outside and crossed the street, and then looked up at the big building. She pointed. It took me some time to find the right window. And then I saw him waving to us from behind the sky’s reflection.
    In the sunshine on the sidewalk in front of Mary Star of the Sea, a Sunday morning in early June when I was seventeen, Walter Hartnett said, “What’s wrong with your eye?”
    Our mothers were talking, purses over their arms and hats on their heads. The sun bright off the black glass of windshields, the tin fenders, the pocketbooks of the women in that after-Mass crowd, off the white sidewalk and the road and even the fading church bells. Bright off him, too,