Midnight is a Lonely Place
darkness. She had not realised until that moment how much she had been counting on being asked in to sit by their cosy fire and have a cup of tea before she set out on the walk through the wood to her cottage.
    On the drive back she had found a farm shop open where she had managed to buy some bread and milk, crumbly local cheese and Essex honey and, to her great delight, some firelighters and matches.
    Hefting her plastic carrier over her shoulder she was already on the track when she stopped. The torch was still in the car. Turning back she pulled open the barn door once more and, unlocking the Peugeot she rummaged in the glove compartment. The torch was there, and – experimentally she flashed it up into the high rafters – it worked. Comforted, she locked up again and set off at a determined pace into the woods.
    The track ran straight for a few hundred yards and then curved eastwards, narrowing until there was only room for the rutted marks of the Land Rover’s wheels. Her feet slipped and she found she needed the torch to see where to put them in the mud. The evening was very still. There was no wind and the trees were silent. In the distance she heard the warbling call of a curlew from the marshes. The sound echoed in the falling darkness and was answered by the shriek of an owl. She clutched her bag more tightly, her eyes riveted to the track.
    May the gods of all eternity curse you, Marcus Severus Secundus, and bring your putrid body and your rotten soul to judgement for what you have done here this day …
    The woods were still silent, the trees unmoving. The words, as clear and well enunciated as those of a BBC presenter, had been inside her own head. Kate stopped dead, a sheen of sweat on her skin, her heart hammering in her ears. She stared round, her eyes straining into the darkness between the tall tree trunks, very conscious of the smell of rotting wood and damp, dark earth which surrounded her.
    Stupid. The darkness and the silence after the celluloid drama of the museum and the excitement of the new idea had set her imagination working overtime, that was all. She resumed walking, a little more quickly this time, her torch clutched so tightly in her hand that her fingers grew numb.
    When the cottage at last came into view she was breathless. Fumbling in her pocket for her key she let herself in and turned on the light, then she put her shopping bag down on the kitchen table, ran upstairs and grabbed one of her empty boxes from the spare bedroom. Dragging it after her she went straight outside again and made for the log shed. Before she did anything else and before she lost her nerve completely she would stock up with firewood.
    Flashing the torch beam around the small shed she piled logs into her box, and then a huge heap of kindling. The shed was very neat, the ranks of logs undisturbed beneath their net of spiders’ webs save for a few that had fallen at the end of the pile, the spade still leaning where she had left it in the corner. With one last look round she turned off the torch and returned it to her pocket. She needed both hands for the box. Hefting it up with a groan she made her way out into the cold garden, conscious of the brooding woods so close to the front of the cottage. It was impossible to run with the box. As swiftly as she could she walked back indoors and then she dropped it on the hall floor. Turning she slammed the door shut and shot the bolt home.
    Safe. She closed her eyes and laughed quietly to herself, embarrassed, alone as she was, by her own stupidity. Picking up the box again she hauled it into the living room and put it neatly by the stove. Then, drawing the curtains against the darkness she went back to the kitchen and put on the kettle. The phone rang as she was waiting for it to boil.
    ‘Kate, my dear. Just checking to see that everything is all right.’ It was Roger Lindsey. ‘I’m afraid we’ve been out most of the day so I thought I would give you a quick call to

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