The Three Weissmanns of Westport
sob and spin in circles, and it was touching still. Betty watched Miranda now, striding across the room to wrap her arms around Annie. Annie's expression softened. How lucky I am, thought Betty. She felt the damn tears gathering. I'm so lucky, she repeated to herself. But the tears never listened to her these days. Had they ever? It was hard to remember what she had been like before she was like this.

6
    Miranda lay in her childhood bed and listened to the jingle of cicadas. There must be so many of them to make such a clatter. Cicadas, if she remembered correctly, were the ones that hatched, then rattled, then mated and dropped dead. Miranda felt a stab of sympathy for the noisy insects. It was a pattern she was intimately familiar with. Love arrived; one was lucky enough to feel its warmth; then the season passed, and one shivered in the cold. Still, she had no regrets in that arena, at least. Seasons always returned, and so did love. Love was unchanging, even if the man she shared it with was not, even if she produced no cicada offspring. Love was eternal, even if lovers were not.
    She considered how her mother must feel after believing her marriage was eternal, only to find out it, too, had a season, albeit an extraordinarily long one. Was it the same way Miranda felt after each of her own fiery breakups, a desire to move on, to revive the delicious rattle of courtship as soon as possible?
    She crept up to her mother's bedroom and stood in the doorway at the top of the stairs. Moonlight came softly through the open window. How pale Betty looked in the blue light. She breathed evenly, a gentle sound just shy of snoring. Miranda realized that her mother was old, an old lady, her skin loose on her fragile bones. And then suddenly, piercingly, Miranda knew that her mother did not feel the way Miranda felt after a breakup, that she did not feel a desire to move on, to rattle and mate and bask in a new season of love. She knew that her mother felt like what she was: an old lady alone in a bed.
    Within a few weeks, the little cottage underwent a remarkable transformation. Betty's pale-blue-and-cream-colored silk Persian rug lay across the top of the worn old linoleum of indeterminate color. The creamy silk chenille Queen Anne chairs from the living room and leather sofa from Joseph's library had been arranged in cozy proximity in the small space. Even the curtains from the apartment had been adapted to the little room, which now resembled a Connecticut cottage living room in a 1930s movie.
    There were other resemblances to the 1930s that were less welcome. The stove dated from that time. The furnace could not have been much more recent. The dishwasher was from the sixties, but its only function now was to hold up the small kitchen counter. Cousin Lou had offered to update all these appliances, but here Betty had drawn the line on his beneficence.
    "It's all so quaint," she had said. "And as soon as Joseph, may he rest in peace, sorts out all the legalities, I will be back in my apartment and you can tear this sweet little cottage down . . ."
    Cousin Lou winced at the words "tear" and "down" in the same sentence.
    "Beautify," Betty corrected herself. "You will be able to beautify. No sense in beautifying new appliances, though, is there?"
    Betty was very proud of this sacrifice on her part. She wanted to show strength, to reassure her daughters, to reassure the world at large and, perhaps most of all, to reassure herself. Staying at her cousin's cottage as a family guest was one thing. But being given a new refrigerator, like those poor women on Queen for a Day , was more than her self-respect could stomach.
    On weekdays Annie went into the city, surprised by how much she enjoyed the commute. The train rattled on its suburban rails, filled with men and women, but mostly men, in dark suits. The uniformity of the sober colors, the smell of soap, the soft rustle of the newspapers in the mornings, that hour of fresh, gently rocking,

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