Free The Isle of Blood by Rick Yancey

doorway into the hall, and started down the stairs. It was not my father’s voice—not the dream voice—but the doctor’s calling me, as he had a hundred times before, in desperate need of my indispensible services.
    “Coming, sir!” I called, pounding down the stairs to the main floor. “I’m coming!”
    We met in the front hall, for as I raced down, he ran up, and both of us were winded and slightly wild-eyed, regarding each other with identical expressions of comic confusion.
    “What is it?” he asked breathlessly.
    And I, with him: “What is it?”
    “Why are you asking me ‘What is it?’ What is it?”
    “What, Dr. Warthrop?”
    “I asked you that, Will Henry.”
    “Asked me what;
    “What is it!” he roared. “What do you want?”
    “You—you called for me, sir.”
    “I did no such thing. Are you quite all right?”
    “Yes, sir. I must have… I think I fell asleep.”
    “I would not advise that, Will Henry. Back upstairs, please. We mustn’t leave Mr. Kendall unattended.”
    The room was still very cold. And the light gray. And there was the whisper of snow now against the windowpane.
    And the bed, empty.
    The chair and the Louis Philippe armoire and the dead embers and the little rocking chair and the littler doll in that chair and her littler still black, unblinking china eyes and the boy frozen on the threshold, staring stupidly at the empty bed.
    I backed slowly into the hall. The hall was warmer than the room, and I was much warmer than the hall; my cheeks were on fire, though my hands were numb.
    “Dr. Warthrop,” I whispered, no louder than the snow against the pane. “Dr. Warthrop!”
    He must have fallen , I thought. Got loose of the ropes somehow and fell out of bed. He’s lying on the other side, that’s all. The doctor will have to pick him up . I am not touching him!
    I turned back. My turning took a thousand years. The stairs stretched out below me for a thousand miles.
    To the landing, another millennia. There was the beating of my heart and my hot breath puffing my makeshift mask, and the smell of ambergris and, above and behind me, the gentle protest of the top step, creaking.
    I stopped, listening. The passing of the third millennia.
    I was patting my empty pockets for the gun.
    Where is the gun?
    He had forgotten to give it back to me, or, as he would undoubtedly say, I had forgotten to ask him for it.
    I knew I should keep going. Instinctively I understood where salvation lay. But it is human to tie ourselves to the mainmast, to be Lot’s wife, turning back.
    I turned back.

 
    It launched itself from the top step, a reeking sepulcher of jutting bone and flayed skin and crimson muscle dripping purulence, a yawning mouth festooned with a riot of jagged teeth, and the black eyes of the abyss.
    The once-Kendall slammed into me, its shoulder driving into my chest, and the black eyes rolled in their sockets, like a shark’s eyes when it attacks, in the ecstasy of the kill. I punched blindly at its face; my knuckles knocked against the sharp, bony growths that had erupted from the rubbish of its flesh, bone meeting bone, and my entire arm sang with pain.
    The creature seized my wrist and flung me down the last flight of stairs as easily as a boy tosses a stick. I landed face-first with a loud wallop at the bottom, making no more noise than that, for the fall knocked all the breath out of me. In the space of a heartbeat, I rolled onto my back, and it was upon me, so close I saw my own face reflected in its soulless eyes. Its face was not that of a human being. I have looked at that face a thousand times; I keep the memory of it in a special cabinet of curiosities, and I take it out from time to time, when the day is bright and the sun warm and the evening very far away. I take it out and hold it. The more I hold it, you see, the less I’m afraid of it. Most of the skin is gone, torn or sloughed off, exposing the underlying musculature, the marvelously complex—and