scotch and follow its heat threading down my middle, out my limbs.
My voice sounds far away. "Do you do this all the time?"
"He says this to a nine-year-old kid." Pavel is still rattling on about grandpa. "What's that?"
"Do you do this all the time? Seduce women up to your room."
"Oh." He smiles. "Only the beautiful ones."
"And have there been a lot of beautiful women?"
"Not like you."
I'm not beautiful, but it doesn't matter. We will pretend that I am. One arm slides around me and the other clicks off the lamp on the nightstand. Blue light from the pool ripples across the walls.
At first I watch myself from a distance, guiding my hands, tilting my throat back, scoring like music the gasps and the moans. But gradually I fall under the spell of my own acting or the rhythm of the act, it doesn't matter which. I have forgotten myself for a while.
(The passion they had hidden exploded like a volcano and swept them along in its current. She had never imagined it could feel like this.)
We lie in the blue shadows, stretched out across the rubble of chlorine-smelling sheets and gritty bits of sand. Pavel gets up and goes into the bathroom, and I can hear him taking a leak. When he comes back to the bed, he passes me his water glass with its half-inch of warm scotch and I drain it. I run my fingers across the mat of damp curls on his chest.
I turn my face away from his and let my eyes fill with water. I have landed more than one part because I can produce real tears on cue. If the scene is well written, it happens on its own, like stepping out of my life and becoming the vision. If not, I think of my mother backing the station wagon over our cat, Buster, when I was nine. Tonight I'm on a roll and the tears feel genuine.
I wait for Pavel to feel the silence in the room, and then I inhale jaggedly. He lifts my chin in his hand, turns my face toward his, and asks me what's the matter. Nothing, I tell him, but he persists. Finally I say, in a shattered whisper, that I'm afraid I could get too attached to him. He is surprised, but I can tell he doesn't doubt for a minute that this is possible. His drowsy eyes focus sharp, and tiny fissures crinkle across his brow.
It's risky to suggest consequences. They can panic, suddenly flash on the wife and kiddies back home and start backpedaling. On the other hand, feeling desired, even loved, is a powerful aphrodisiac. Who doesn't want that fantasy?
(He took her in his strong arms and whispered her name like a prayer. What they felt might be crazy, he said, but love was like that.)
"Well, I could get pretty attached to you, too. Especially if you keep doing that with your hand."
I'm drifting off when the phone rings, loud as an alarm. Pavel stretches out lazily for the receiver and cradles it against his shoulder while he lights a cigarette.
"No, I just walked in the door a few minutes ago." He snaps on the lamp, and I curl away from the light.
"Oh, not bad tonight. We had a full house. Pretty lively old farts, too. Better than the stiffs in Cleveland."
I draw a damp tangle of sheet up over my naked back and lie perfectly still. I'm listening for a nervous tremor or a false note in his voice, but it isn't there.
(He hated all this, the lies and deceptions. It tore him up inside to see her unhappy. But it would be different soon.)
"Well, maybe we should get somebody else to do it and deduct it from the rent. They've been dinking around…"
I lie there like a lump for a while, and then I go into the bathroom and sit. The John faces a mirror; in the fluorescent light my sunburn looks freshly slapped. My shoulders are starting to peel away in patches. I shift onto the tile floor. From this angle, the shower stall seems to tilt precariously over me. I count blooms of mildew up on the ceiling. The sickening light and the glare off the white tiles remind me of the places they put nutcases.
I tell myself that they're talking about plumbing, for God's sake, the kind of business you
Rebecca Hamilton, Conner Kressley