the state line in Amenia, the oneswho came from Mexico or the Caribbean every season to pick apples, and that’s how she’d gotten pregnant. Her mother asked her if it was true. As painful as that was, Lydia never blamed her mother or any of them. She knew when she realized she was pregnant that if her baby’s skin was even half as dark as its father’s, she would be cast as the hussy. She never refuted any of the stories, never told anyone the truth, not even Luke, and when he was old enough he didn’t want anything to do with her, let alone a father who had been kept a secret all his life. There were good reasons for keeping his father a secret. And if they weren’t good, they were, she believed for a long time, necessary. Only one marriage would be upended by this baby and it would be hers.
Many times she came close to leaving, throwing Luke in her car and driving away. But somehow she got used to the snickering whispers in the grocery store, the nasty gazes from the women, and the lewd once-overs from the men. One year became two, became five, became so many she couldn’t count them. After Earl there were other men, but most didn’t amount to much more than a few boozy sleepovers. Only Rex, who turned up many years later, stuck around long enough to look like a future, but the wreckage he left in his wake cured Lydia of ever again expecting one. After Rex, there was no more going to places like the Tap on weekends, no more men, and no more hope left that her life would ever happen any differently than it had.
Beyond visiting Luke in prison in the Adirondacks the one time and going to Atlantic City for her honeymoon with Earl, she’d never left Wells. Some trees love an ax, a drunk old-timer mumbled one night at the Tap, back when she still went there, and something in what he said rang true, but when she later remembered what he’d said, she disagreed and thought instead that the tree gets used to the ax, which has nothing to do with love. It settles into being chipped away at, bit by bit, blade by blade, until it doesn’t feel anything anymore, and then, because nothing else can happen, what’s left crumbles to dust.
After Luke died, the phone rang a lot. The funeral home, the insurance company, the bank, the police. There were consoling calls, too, but mostly from people in Luke’s life, not hers; people who adored him and worked with him, some who were in jail with him, a few old girlfriends, ones she’d never met, and a few guys who used to swim with him in high school, his old coaches. She heard their voices as if they came from the end of a long tunnel. Their words were like echoes, and often she would hold the phone away until she sensed the talking about to come to an end. She did her best to be polite, but it was hard to hear from strangers about her son’s life, which she barely knew and had only just begun to be included in again.
Everyone she worked for called. The Moodys, the Hammonds, Peggy Riley, the Tucks, the Hills, and the Masseys, who owned the bed-and-breakfast in Salisburywhere she used to drive each day to change beds, clean linens, and scrub the toilets and tubs. Even Tommy Ball called, though she hadn’t seen him in years. All of them offered their condolences and told her to take her time and to please just let them know when she was ready to come back. She never called any of them. But she did take her time, all of it, she mumbled to herself more than a few times. From the age of thirteen until the morning Betty Chandler called her, Lydia had worked nearly every day of her life. From that moment forward, she was done. She figured that with the little money she had saved, there was enough to pay her living expenses for a year or so, and carry the minimum payments on her two credit cards if she had to use them to pay for food. Without having to go to work, she barely ever drove, so she didn’t have to pay for gas. Propane and electric were included in her rent, which was only
Chelle Bliss, Brenda Rothert