Free Saving Fish From Drowning by Amy Tan Page A

is a mindset for the masses—one might bottle it as Sublime Indifference, a potion that induces people to follow the safest route, which is, of course, the status quo, anesthesia for the soul. Throughout the world you can find many Shangri-Las. I have lived in my share of them. Plenty of dictators have used them as a means to quell the populace—be quiet or be killed. It is so in Burma. But in art, lovely subversive art, you see what breaks through in spite of restraint, or even because of it. Art despises placidity and smooth surfaces. Without art, I would have drowned under still waters.
    THERE WAS NOTHING PLACID about Wendy Brookhyser. She had
    come to Burma with an itch in her brain and a fever in her heart. She wanted to fight for Burmese rights, for democracy and freedom of speech. She could not tell anyone that, however. That would be dangerous. To her fellow travelers, Wendy said she was the director of a family foundation. And that was indeed the case, a foundation set up by her mother, Mary Ellen Brookhyser Feingold Fong, the “marrying widow,” as she was unkindly called in some circles. In her position as director, Wendy had never done much more than attend an occasional meeting. For that, she received a salary sufficient for a carefree lifestyle with regular infusions from her mother for her birthday, Christmas, Chanukah, and Chinese New Year. Money was her birthright, but since her teens, she was adamant she would not become a party-throwing socialite like her mother.
    Here I must interject my own opinion that the aforementioned mother was not the senseless schemer her daughter made her out to be. Mary Ellen gave the best parties to draw attention to worthy causes. She didn’t simply write checks to charities like other nine-digit doyennes who had generous pocketbooks but not the time to 4 4
    S A V I N G F I S H F R O M D R O W N I N G
    amplify their compassion. She was utterly involved, financially and morally. I knew this because Mary Ellen was a friend of mine—yes, I believe I can call her that, for we chaired a fair number of events together. And she was quite the compulsive organizer, one who attended every boring planning meeting. I’m afraid I had a rather embarrassing habit of dozing at some of those. Mary Ellen was all about details; she knew if the proposed dates for events conflicted with the social calendars of the big money-givers. And because of her social web, she could line up celebrities to generate “publicity heat,” identifying the singers, movie stars, or athletes who could be inveigled on the basis of their family background of genetic disease, mental illness, addiction, cancer, murder, sexual abuse, senseless tragedy, and other sorts of unhappinesses that fuel causes and then galas for causes. She also kept a meticulous record of those black-tie events for which she had bought tables at the highest level, and whose event chair might then be vulnerable to the unspoken but well-understood system of payback. It was all based on connections and intimate gossip, don’t you see. In any case, I knew I could always count on Mary Ellen to contribute yearly to Self-Help for the Elderly by pointing out that it served those with Alzheimer’s, the illness to which her first husband had succumbed; he was, by the way, the one who practically invented PVC pipes and made a huge fortune distributing them. Ernie Brookhyser. Perhaps you’ve heard of him. One of the many benefits Mary Ellen had attended was for the Asian Art Museum. During the live auction, she was high bidder for the Burma Road trip—paid thrice the value, I was pleased to see. She then gave the trip for two to Wendy as a birthday present.
    Wendy had first thought to refuse the trip and also rebuke her politically unconscious mother for thinking her daughter might holiday in a country run by a repressive regime. She had fumed about this over lunch with a former Berkeley housemate, Phil Gutman, the director of Free to Speak