and shook my body to its core. I donât know when Sebastian appeared. I never heard his footsteps nor felt his hand on my shoulder when he knelt beside me. At some point, however, I became aware I was holding a dry handkerchief and realized heâd handed it to me. His eyes were the bright sapphire blue I remembered them to be, and they were looking at me not with concern, but mischief.
âYouâre as bad as I am, Mrs . Hargreaves. Although I gather Iâm not to call you that. Itâs Lady Emily now, isnât it? Correct address is so important.â
âDonât torment me,â I said.
âIâm merely applauding your performance. It was worthy of the Divine Sarah.â
âYou donât consider her a skilled actress?â I asked, wiping the rest of my tears.
âThe finest. I saw her play Cleopatra not two years ago.â
âThen you should not compare her to me,â I said. âWhat you see before you is not acting.â
âCome, now, you canât expect meââ
âSometimes, Mr. Capet, all a lady has left is the truth.â He was still resting his hand on my shoulder. I removed it and rose to my feet. âI feel a certain responsibility to youâI know not why, particularly as it seems youâve abandoned your charge.â
Sebastian had promised to look after Edward White, a young boy whom we had both encountered during Sebastianâs quest for objects owned by Marie Antoinette. Only a handful of people knew the childâs true identityâthat he was the direct descendent of the last dauphin of France. The Capet family had protected Marie Antoinetteâs son, Louis Joseph, after his secret escape from the clutches of cruel guards during the revolution, and it was Sebastianâs legacy to continue the tradition by looking after Edward. It was a role against which heâd rebelled, but eventually, after learning the boy had nearly been killed by a person with a vested interest in protecting the claims of a pretender to the French throne, he agreed to do his duty.
âIâve done nothing of the sort!â he said. âHe and his mother are on holiday at the seaside. Theyâre perfectly safe.â
âIâm not in a humor to argue with you.â
âWhatâs troubling you, my darling Kallista?â
âDonât call me that.â
âYou have no idea how you wound me.â He sidled closer to me.
âYou have to stop this, Mr. Capet.â
âDarling, I know you call me Sebastian to everyone else. Why cling to formality when weâre alone?â
âWe shouldnât be alone. Itâs inappropriate. I want you to come back to the house with me.â
âAbsolutely not!â He brushed dust from his yellow waistcoat.
âWhy must you make everything difficult?â I asked, tears pooling in my eyes. âI cannot take much more.â
âDarling, please.â He held out a hand; I pushed it away. âGossip told me of your injuries, but I see that youâre well recovered if youâre able to ride. Although emotionally perhaps not quite so well as physically. What is troubling you?â
âMore things than I care to recount. And if youâve any of the qualities of a gentleman you wonât press me.â
âI shanât press you.â His voice, low and gentle, had a rhythmic quality to it, almost musical. âThough it wounds me to think you believe Iâve any of the qualities of a gentleman.â
âMy husband feels strongly that you need to present yourself to the police and give an alibi for Edith Prierâs murder.â
âYou donât think I killed her?â
âWhat is your alibi?â
He heaved a sigh. âWhen was she murdered?â he asked. âSurely you donât expect me to keep a catalog of morbid events in my head?â
âSebastian!â
âFirst name. Thatâs much
Bart R. Leib, Kay T. Holt