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Artists - New York (N.Y.),
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back into the open earth at a dead angle. Then she came back to the house, and before she reached it the tree had fallen again.
Heracles had got loose the night before. The Town Carpenter, who met him outside the Depot Tavern, brought him back, and tried to replant the tree. But it was no good. The tree was dead before the week was out, and so was Aunt May.
She was sixty-three. It was not, in her case, a ripe age, but quite the other way, a systematic reduction of unfertile years and thoughts, disapprobation, generally a life bounded by terms of negation, satisfied with its resistance to any temptation which might have borne fruit. Better to marry than to burn, but she had not been forced to that pusillanimous choice: gnarled, she stepped from one virginity to another without hesitation. Here, three centuries after Dort, her face wore a firm look of Election, as though she knew where she was going, had visited there many times before. She seemed in a hurry to be gone from that body, as any vain soul well might have been, the still fingers faded under the framed flush of NO CROSS NO CROWN. Surrounded by closed books, with Buffon's Natural History on the floor, they found that body in her chair where she had left it when she fled, unequivocally abandoned, as though not even the last trumpet could summon her to take it up again. Her last words were, -I believe I put it in the top bureau drawer. They looked there afterward, but found only the white round shell box with a hole in its top, into which she had used to put dead hair when she combed it out.
Wyatt was twelve, and deeply impressed by tne funeral sermon his father spoke over that anonymous box where Aunt May, in a lavender gown she had never before worn, lay with the lid closed, a stipulation as importunate as that of the Blessed Umiliana (another devotee of quicklime) having her socks put on, with her last breath, so that the crowd could not venerate her nude feet.
—"O man, consider thyself! Here thou standest in the earnest perpetual strife of good and evil," Reverend Gwyon thundered the lines of William Law down upon the gray faces (whose owners, years later when he was locked up, defenseless, recalled it as the last truly Christian sermon he had ever read). —"All nature is continually at work to bring forth the great redemption; the whole creation is travailing in pain and laborious working to be delivered from the vanity of time; and wilt thou be asleep? Everything thou hearest or seest says nothing, shows nothing to thee but what either eternal light or eternal darkness has brought forth; for as day and night divide the whole of our time, so heaven and hell divide all our thoughts, words, and actions. Stir which way thou wilt, do or design what thou wilt, thou must be an agent with the one or the other. Thou canst not stand still, because thou livest in the perpetual workings of temporal and eternal nature; if thou workest not with the good, the evil that is in nature carries thee along with it. Thou hast the height and depth of eternity in thee and therefore, be doing what thou wilt, either in the closet, the field, the shop or the church, thou art sowing that which grows and must be reaped in eternity."
Three years later, that partisan Deity whose most recent attention to the family had been Aunt May's rescue from mortality, acted in Wyatt's direction (though, as the boy and his father independently suspected, perhaps it was a different God altogether). Wyatt was taken with a fever which burned him down to seventy-nine pounds. In this refined state he was exhibited to medical students in the amphitheater of a highly endowed hospital. They found it a very interesting case, and said so. In fact they said very little else. Physicians, technicians, and internes X-rayed the boy from every possible angle, injected his arms with a new disease they believed they could cure, took blood by the bottleful from one arm to investigate, and poured the blood of
Charlaine Harris, Patricia Briggs, Jim Butcher, Karen Chance, P. N. Elrod, Rachel Caine, Faith Hunter, Caitlin Kittredge, Jenna Maclane, Jennifer van Dyck, Christian Rummel, Gayle Hendrix, Dina Pearlman, Marc Vietor, Therese Plummer, Karen Chapman