Free The Raphael Affair by Iain Pears

anything to drink, and nodded again when he suggested trying some sake, which she had never heard of. Then she applied herself to reading the menu.
    ‘Why do you think it would be nice if the picture was the wrong one? I think it would be dreadful – the department is paying for this, by the way,’ she said, once the waiter had taken the order, delivered a bottle in a vase of hot water, and vanished. It occurred to her that it was the first time she had asked him a question and been properly interested in the reply. His new-found buoyancy had transformed his character into something much more agreeable, although he showed signs of tipping over the edge into smugness. He was, certainly, not quite as dimwitted as he seemed.
    ‘Certainly not. You paid last time. Besides, this is meant to be a sort of apology for boring you to death in Rome. And don’t worry, this is on Sir Edward Byrnes. I got my first cheque yesterday. As for the Raphael, justthink of the number of respected authorities who are at this very moment battling with each other to get out their books on the New Raphael first. Think how many have made a fortune writing adulatory articles in magazines and newspapers. Better still, think what wallies they’d look if it was revealed that they had been heaping admiring adjectives upon a dud. You married?’
    ‘No, I’m not.’ She paused and downed the small glass of sake. It tasted of almost nothing, but was warm. She filled her glass again and drank that too. The heat made up somewhat for its evident lack of alcohol. ‘Have you told anyone about this?’
    ‘Not a soul. I learnt my lesson last time.’
    ‘Listen. Restrain yourself and be sensible. I know the whole business upset you, but the Raphael can’t be a dud. Every art historian in the world has written an article about it. Every single one of them agrees that it’s genuine. I know they make mistakes; but they can’t all be wrong. You can’t set up an inconclusive fragment by a woman concentrating mainly on her husband’s sexual peccadilloes against the agreed opinion of the most distinguished art connoisseurs alive.’
    ‘I don’t see why not. As you say, people make mistakes, sometimes whoppers. A sizeable chunk of art history consists of unravelling other people’s errors and substituting your own. All the art galleries in the world are full of things labelled “after Velazquez” or “circle of Titian” which were drooled over for years as fine works from the master’s hand. Boyfriend?’
    Flavia refilled her glass. ‘No. But how do you proveit?’ she asked. ‘If everyone has committed themselves to calling it a Raphael, it would be difficult to persuade them to change their minds. It’s all a matter of opinion. If enough people say it’s genuine, then it is. Besides, I think you’re playing games. You don’t really think it’s a dud at all, do you?’
    ‘Not really,’ he said sadly, ladling out the rice and experimenting with his chopsticks. ‘Wishful thinking, I suppose. I was enjoying fantasising about finding some conclusive fragment. Think of the embarrassment. “New light on Raphael’s Elisabetta.” Short, pithy little article. Bang. Art historians doing the decent thing and jumping out of windows or locking themselves in rooms with loaded pistols. Turmoil in the museum. Red faces in the government. All that taxpayers’ money down the drain. I can almost see the editorials now. Attachment? Cat?’
    He evidently found his train of thought quite delightful. He spooned some more food, and poured some more sake.
    ‘No. What’s that got to do with it?’
    ‘Nothing. It’s just that I like cats.’
    They ate in silence, which Flavia eventually broke. ‘At least I had better tell the General when I get back,’ she said, sipping meditatively. Extraordinary. The whole bottle was empty already. ‘Then he can do with it whatever he wants. Wastepaper bin most likely. But if anything does happen, then at least he won’t be