Free The Convict's Sword by I. J. Parker

their lovemaking. Among the good people, nighttime was for romance, not murder.
    As they walked along Nijo Avenue, they heard the gong in the palace grounds striking the hour of the tiger, and then faintly the voice of the guard officer, giving his name and the time. Shortly after, the soft twanging of bowstrings came from the imperial residence. Eternal vigilance was required to keep evil spirits from entering His Majesty’s chamber and wreaking havoc there.
    Apparently evil did its dirty work unhampered in the great city beyond the palace walls. Akitada felt another twinge of guilt for having ignored Tora’s pleas. He walked silently and glumly beside the lieutenant, who led the way with his lantern.
    It was a long way to the ninth ward, and Akitada had walked a great distance the previous day. He had a hard time keeping up with the young lieutenant’s long strides. Spending hours sitting or kneeling in his office bent over documents seemed to age a person beyond his years, and the old knee injury did not help. Eventually the lieutenant noticed and slowed down. Ashamed, Akitada forced himself to walk more briskly and evenly.
    When they reached the street of shacks and dilapidated wooden houses where the stonemason lived, he was bathed in sweat and wished only to sit down. It was still dark, but there was enough light to see that the small yard was littered with samples of the mason’s work. More stones leaned against the walls of the house, and a light flickered inside. There was no one about. The lieutenant gave a grunt and pushed aside the front door curtain. Ducking in, he barked, “What are you doing, you lazy oaf? I told you to stand guard.”
    Akitada followed. A family huddled in a corner of what must be the main room. They were curled up close together under quilts, their eyes startled and fearful. In the center of the room, a constable staggered to his feet and fell to his knees, beating his forehead against the dirt floor.
    “I just came in for a moment,” he babbled. “To make sure all was well.” His sleep-puffed face gave away the truth.
    “Outside!” snarled the lieutenant. The constable scrambled up and slunk past them to resume his guard duty. The lieutenant did not apologize for the negligent guard—Akitada rather liked that about the man. Instead Ihara told the family, “We’re having another look at the room. Nothing to worry about. Go back to sleep.” Taking up one of the small oil lamps in passing, he headed toward the back of the house. Akitada nodded a greeting and followed him.
    In the back of the house, the lieutenant stopped in front of a door and ripped off a strip of paper that had been placed there to keep people from walking in on the crime scene. When the door was open, he directed the lantern light at the scene of the murder.
    The street singer’s room was small, windowless, and bare, a mere storage space for the main house. Once it might have been neat, but now it showed signs of a dreadful struggle.
    A second door, old and badly warped but with a new wooden latch, probably led to a backyard. Someone had tried to cover the gaping cracks between the boards with strips of paper that would do little to keep out the icy blasts of the winter months.
    The furnishings were meager. A single trunk for clothing stood askew in a corner, a broken shelf once held a bit of food and eating utensils, all of which now lay scattered about the floor. A small hibachi had fallen on its side, its coals and ashes spilled on the dirt floor. It must have served the blind woman as a stove. On top of a thin mat, some bedding had been spread. The bedding was also tumbled about.
    They stepped across a pool of blood and closed the door.
    The woman’s body was gone, but her blood seemed to cover everything she had left behind. Thick, dark puddles marked the floor where she had died; streaks and spatters covered the walls, the mat, the bedding; and smears and bloody handprints defaced the walls and the door