her
wrist with her other hand. The pain was receding a
little now, a whisper of agony along her nerves. Even-
tually the faintness caused by the pain receded suffi-
ciently for her to stumble across to the sofa and sit
down.
She sat there for a very long time.
It had happened before, and she had dismissed it as
an unlucky vibration from the hammer. Now, how-
ever, she knew she could not deceive herself any
longer. She had seen it happen to other engravers, seen
them work until the pain shadowed their every move-
ment and they were obliged to give up their livelihood.
The doctors shook their heads and said that nothing
could be done and charged a guinea for the privilege
of breaking the bad news.
Rebecca had worked at her craft since she was four-
teen years old, and now, a decade on, the pain had
come to take her too.
She looked around the dim workshop, at the light
glancing off the crystal on the shelves and the tools
of her trade lying discarded on the bench. She loved
her work so much that she could never bear to let it
go. The loneliness welled up more powerfully than
before. She went across to the shelf and lightly
touched the glass with the engraved anchor, as though
it was a talisman. Beneath the elegant chase work was
a motto. Celer et Audax —Swift and bold.
Rebecca wrapped both arms about her, as though to
keep out the cold. If only Daniel was here. But Daniel
had his own way to make. They had a made a pact
when they were children and found they were to be
Nicola Cornick
77
apart. If ever the one needed the other, they had only
to send a token...
For a moment, Rebecca was tempted. Then she
sighed and moved back to the workbench. She would
need to be in a great deal worse situation than this
before she contacted her brother and drew him into
danger.
She blew out the candles and made her way up to
bed.
Early the next morning, on the basis that the longer
she put it off the worse it would be, Rebecca picked
up her engraving scribe and set to work. She was ten-
tative at first, but when no pain troubled her, she soon
fell into a rhythm again as she chipped delicately at
the fragile glass. The work was absorbing and when a
shadow fell across her workbench she realised that she
had not even heard the knock at the workshop door.
She looked up to see Lucas Kestrel there and her heart
skipped a tiny beat. The strong morning sunlight from
the window made his hair gleam conker brown rather
than auburn.
‘Miss Raleigh. How are you?’ He smiled at her and
Rebecca’s heart did another quick flip.
‘I am very well, thank you, my lord. How are you?’
‘I am tired, I thank you,’ Lucas said. He looked
straight at her. ‘I do not appreciate sleepless nights.’
Rebecca blushed. ‘I suppose that you have some-
thing preying on your mind?’
‘You suppose correctly, Miss Raleigh.’
Rebecca bent her head over the glass and polished
78
The Rake’s Mistress
the surface with unnecessary vigour. Her hand was not
quite steady. She tried to calm her singing nerves.
‘I did not expect you to call again so soon, my lord,’
she said. ‘I fear that your commission is barely begun.
We did agree a week and it is only five days.’
‘I know it.’ Lucas drove his hands into the pockets
of his great coat. ‘I did not wish to wait that long to
see you again, Miss Raleigh, and as I may not meet
you socially, this seemed the only way.’
Rebecca picked up the scribe and the hammer again.
‘You are, of course, quite welcome to look around my
studio, my lord. If you choose to spend more money
here, then I shall not attempt to stop you, but not all
the items are for sale.’
Lucas laughed. ‘My dear Miss Raleigh, I believe
we have established that already.’
Rebecca relaxed slightly. ‘Very well, then...’
Lucas glanced towards the fireplace. ‘You do not
have a fire today?’
‘I had not got around to building one,’ Rebecca said
evasively. She
Eric Flint, Charles E. Gannon