Smith says. âBonding over dirty laundry, literally.â
Tate grins. âClio, not sure whether Smithâs given you the scoop, but by way of background, Iâm a minor-league wreck at the moment. Going through a divorce. Stoked to be back in New York City, though. California was never for me.â
âLove troubles abound,â Smith says before Clio has a chance to get a word in. âClio here is dealing with a situation with her boyfriend. Tell him, Clio. How great to get a male perspective.â
Clio stares at Smith, trying to figure out why she would put her on the spot like this. She knows how private Clio is. She considers standing up, leaving. The fresh air outside would be a balm and sheâd feel better, but she canât do that to her friend. Nor can she just sit here and ignore Smithâs invitation to speak. âUm, so, Iâve been dating someoneand I thought it was casual but now he wants me to move in with him,â she says, as if the storyâs really this simple.
âWow, thatâs great. You love him?â Tate asks earnestly, fiddling with his ice. His gaze is steady.
Clio stares down into the depths of her drink, a Bloody Mary thatâs growing watery as the ice melts. It startles her how easily he throws the word out. Love. Itâs a simpler thing for other people, she thinks.
âUm, well, Iâve never been in love before,â she says, forcing a shaky smile. âSo Iâm not sure I know.â She catches Smithâs eye and can see that her friend is catching on, that sheâs concerned. Clioâs seen this look many times.
âIs he a good guy, at least?â Tate says, glancing toward Smith.
Clio nods. So does Smith.
âHeâs old as the hills,â Smith says. âBut heâs extremely charming in this kind of vaguely paunchy Pierce Brosnan way. And he adores Clio. Yes, heâs a good guy.â
âOld as the hills? Smith! Heâs fifty, â Clio says, grateful for the sudden dose of levity. She pretends to hit Smith with her napkin.
âHeâs ancient! Heâll keel over at any moment!â Tate says.
âOkay, fine, heâs not ancient. But heâs not a sprite like us either,â Smith says. âAnd I say cheers to that.â
âAnd I say go for it then. I know I should be advocating restraint after the crap Iâve been dealing with, but hell, thatâs not the way to live life. Youâve got to risk it. Whatâs the point otherwise? Play it safe and then die alone?â
âSo depressing. I liked you more when you were talking about the campus laundry,â Smith says, nudging him playfully.
Smith orders another round of drinks and tucks her hair behind her ear. Sheâs flirting again, something Smith does expertly, but also something Clio hasnât seen her do in a while. This lightness has been missing. Even with Asad, there was a frank seriousness to Smith, a detectable caution in her dress and mannerisms, a palpable undercurrent of fear that Smith would lose him. But here she sits, sipping a daytime cocktail in thissun-blanched restaurant, a true smile on her face. Still, Clio can see it in the dark circles under Smithâs eyes, the melancholy that lingers.
âWhat Clio failed to mention is that he doesnât just want her to move in. He designed a full apartment on the top floor of his hotel for them to live in. All she has to do is move her things a few blocks from my place and, voilà !â
Voilà .
Smithâs words are like cuts, each one sharper than the next. Clio knows she means well, but she canât do this. She canât sit here at this fancy restaurant and drink vodka and carry on like her life is some Hollywood movie, inching toward some simple, saccharine happy ending. She must get out of here.
She stands abruptly. Smith grabs Clioâs arm. âYou okay?â
Clio nods quickly. Assures them both sheâs just