like Smith, who were essentially members of a different species.
âClio Marsh,â Tate says, throwing his arm around her a bit awkwardly. âWow. Itâs been a while. You look great. Different.â
Clio smiles. The flattery does little to distract her from the fact that sheâs very likely losing the one man sheâs cared about, but she does what sheâs learned to do. She pretends, pushes through, reaches out to hug this classmate she hasnât seen in more than ten years. âYou too, Tate. How have you been?â she asks.
At this question, he laughs. âOh, you know, a combination of amazing and miserable. Iâm ready for a Bloody Mary. After last night, my headâs in revolt. The hair of the dog might do the trick,â he says without missing a beat.
âOn to the Boathouse then?â Smith says, looking at Clio.
Clio shrugs. She feels faint, as if the wind is passing through her. Sheâs here, but sheâs not. She finds a word, a single word, all she can muster: âSure.â
âAh, the famous Loeb Boathouse. Designed by revered park architect Calvert Vaux in 1872,â he says, suddenly slipping into tour guide mode. âBuilt to provide a covered spot for docking and storing boats. Victorian details. Demolished in 1950 after falling into terrible disrepair and the new Boathouse opened its doors in 1954. Unofficial headquarters for birders who jot their sightings in a notebook inside the building.â
Smith looks over at Clio and smiles. âClio here is one of the cityâs most celebrated birdwatchers. I imagine you know all about this famous notebook, Clio?â
Clio nods yes but wishes Smith would pick up on the fact that sheâs not up for chitchat. Sure, she knows about the notebook, but she canât shake the feeling that sheâs participating in some kind of bizarre theatrical game. Still, she plays along because she cares about Smith, because each word spoken takes her out of her catastrophizing head.
âSo how do you know so much about the Boathouse?â Clio says.
Tate smiles. âIâm working on an image-recognition New York City architecture app. That, and applying to grad programs in photography. Iâm kind of all over the place, to be honest, but trying to be cool with the fact that I really have no fucking clue what Iâm doing.â
This is the Tate she remembers. The guy whoâs quick to admit his own ignorance. Yale was a glittering place, intimidating at times, and how refreshing it was to encounter a kindred soul who didnât pretend to have it all together.
The three of them make their way to the bar and restaurant not far from them in the park. Despite the cold, thereâs plenty of activity.Families. Joggers. Bikers. Dogs. When they enter the restaurant, the maître dâ makes a beeline for Smith and kisses her on the cheek hello.
âMy Napoleonic fatherâs a regular in these parts,â she whispers to Tate. âLots of client meetings. You know how it goes.â
They sit at a table by the window. The waiter hands them menus and Tate is quick to order his drink. Smith follows suit and Clio orders a drink too, though she will not drink it. Her head is already too light. When the cocktails arrive, Tate plucks an olive from his and tosses it in his mouth. He drains his glass quickly, as if on a mission, and looks up at Clio. Smiles. âWe used to have some pretty good talks while we were busy doing glamorous tasks like cleaning the washers.â
Clio nods. Thinks back. âWe did.â
Clio remembers those months, how she looked forward to seeing him during their shifts. He lacked the pretension she glimpsed in so many of their classmates. He was on the quiet side, but everything he did say felt real in a way. His comments on their shared new culture were interesting, if somewhat antiestablishment, and made her feel less alone.
âLook at you two,â