territory. It was just a
place.
A place like any other. If he walked out there now, if he went through the familiar rituals and litanies, he would be a hypocrite. He would be defrauding everyone in the congregation.
The puzzlement on Kerry McDevit’s face had turned to worry. The boy glanced out toward the pews that Brendan Cronin could not see, then looked again at his priest.
How can I say Mass when I no longer believe? Brendan wondered.
But there was nothing else to be done.
Holding the chalice in his left hand, with his right hand over the burse and veil, he kept the sacred vessel close to his breast and followed Kerry, at last, into the sanctuary, where the face of Christ upon the cross seemed, for a moment, to gaze at him accusingly.
As usual, less than a hundred people were in attendance for the early service. Their faces were unusually pale and radiant, as if God had not allowed real worshipers to attend this morning but had sent a deputation of judgmental angels to witness the sacrilege of a doubting priest who dared to offer Mass in spite of his fallen condition.
As the Mass progressed, Father Cronin’s despair deepened. From the moment he spoke the
Introibo ad altare Dei,
each step of the ceremony compounded the priest’s misery. By the time Kerry McDevit transferred the missal from the Epistle to the Gospel side of the altar, Father Cronin’s despondency was so heavy that he felt crushed beneath it. His spiritual and emotional exhaustion were so profound that he could barely lift his arms, could hardly find strength to focus on the Gospel and mutter the lines from the sacred text. The faces of the worshipers blurred into featureless blobs. By the time he reached the Canon of the Mass, Father Cronin could barely whisper. He knew that Kerry was gaping at him openly now, and he was sure that the congregation was aware that something was wrong. He was sweating and shaking. The awful grayness in him grew darker now, swiftly turning to black, and he felt as if he were spiraling down into a frighteningly dark void.
Then, as he held the Host in his hands and elevated it, speaking the five words that signified the mystery of transubstantiation, he was suddenly angry with himself for being unable to believe, angry with the Church for failing to provide him with better armor against doubt, angry that his entire life seemed misdirected, wasted, expended in pursuit of idiotic myths. His anger churned, heated up, reached the boiling point, was transformed into a steam of fury, a blistering vapor of
rage.
To his astonishment, a wretched cry burst from him, and he pitched the chalice across the sanctuary. With a loud
clank,
it struck the sanctuary wall, spraying wine, rebounded, bounced off a statue of the Blessed Virgin, and clattered to a stop against the foot of the podium at which he had not long ago read from the Gospels.
Kerry McDevit stumbled back in shock, and in the nave a hundred people gasped as one, but that response had no effect on Brendan Cronin. In a rage that was his only protection against suicidal despair, he flung one arm wide and swept a paten of communion wafers to the floor. With another wild cry, half anger and half grief, he thrust his hand under his chasuble, tore off the stole that lay around his neck and threw it down, turned from the altar, and raced into the sacristy. There, the anger departed as suddenly as it had come, and he stopped and stood there, swaying in confusion.
It was December 1.
7
Laguna Beach, California
That first Sunday in December, Dom Corvaisis had lunch with Parker Faine on the terrace at Las Brisas, in the shade of an umbrella-table overlooking the sun-dappled sea. The good weather was holding well this year. While the breeze brought them the cries of gulls, the tang of the sea, and the sweet scent of star jasmine that was growing nearby, Dominick told Parker every embarrassing and distressing detail of his escalating battle with somnambulism.
Parker Faine was
Grace Slick, Andrea Cagan