wonders how many other kids are caught by their own blind trust of technology. Well, Connor’s not going the way Andy Jameson did. He quickly assesses the situation. The truck has been pulled over to the side of the interstate by two highway patrol cars and a Juvey-cop unit. Traffic barrels past at seventy miles per hour, oblivious to the little drama unfolding on the shoulder. Connor makes a split-second decision and bolts, pushing the officer against the truck and racing across the busy highway. Wouldthey shoot an unarmed kid in the back, he wonders, or would they shoot him in the legs and spare his vital organs? As he races onto the interstate, cars swerve around him, but he keeps on going.
“Connor, stop!” he hears his father yell. Then he hears a gun fire.
He feels the impact, but not in his skin. The bullet embeds in his backpack. He doesn’t look behind him. Then, as he reaches the highway median, he hears another gunshot, and a small blue splotch appears on the center divider. They’re firing tranquilizer bullets. They’re not taking him out, they’re trying to take him down—and they’re much more likely to fire tranq bullets at will, than regular bullets.
Connor climbs over the center divider, and finds himself in the path of a Cadillac that’s not stopping for anything. The car swerves to avoid him, and by sheer luck Connor’s momentum takes him just a few inches out of the Caddy’s path. Its side mirror smacks him painfully in the ribs before the car screeches to a halt, sending the acrid stench of burned rubber up his nostrils. Holding his aching side, Connor sees someone looking at him from an open window of the backseat. It’s another kid, dressed all in white. The kid is terrified.
With the police already reaching the center divider, Connor looks into the eyes of this frightened kid, and knows what he has to do. It’s time for another split-second decision. He reaches through the window, pulls up the lock, and opens the door.
1 • Starkey
He’s fighting a nightmare when they come for him.
A great flood is swallowing the world, and in the middle of it all, he’s being mauled by a bear. He’s more annoyed than terrified. As if the flood isn’t enough, his deep, dark mind has to send an angry grizzly to tear into him.
Then he’s dragged feetfirst out of the jaws of death and drowning Armageddon.
“Up! Now! Let’s go!”
He opens his eyes to a brightly lit bedroom that ought to be dark. Two Juvey-cops manhandle him, grabbing his arms, preventing him from fighting back long before he’s awake enough to try.
“No! Stop! What is this?”
Handcuffs. First his right wrist, then his left.
“On your feet!”
They yank him to his feet as if he’s resisting—which he would, if he were more awake.
“Leave me alone! What’s going on?”
But in an instant he’s awake enough to know exactly what’s going on. It’s a kidnapping. But you can’t call it kidnapping when transfer papers have been signed in triplicate.
“Verbally confirm that you are Mason Michael Starkey.”
There are two officers. One is short and muscular, the other tall and muscular. Probably military boeufs before they took jobs as Juvey-rounders. It takes a special heartless breed to be a Juvey-cop, but to specialize as a rounder you probably need to be soulless as well. The fact that he’s being rounded for unwinding shocks and terrifies Starkey, but he refuses to show it, because he knows Juvey-rounders get off on other people’s fear.
The short one, who is clearly the mouthpiece of this duo,gets in his face and repeats, “Verbally confirm that you are Mason Michael Starkey!”
“And why should I do that?”
“Kid,” says the other rounder, “this can go down easy or hard, but either way it’s going down.” The second cop is more soft spoken with a pair of lips that clearly aren’t his. In fact, they look like they came from a girl. “The drill’s not so hard, so just get with the