here now to put his arms around and kiss. He flung away his hat and his jacket, pulled off his shoes, and went to open the windows and push aside the curtains. It had turned into a beautiful night. The air was trembling and splendid. The moon had come out; there were wide-spaced stars, and small clouds pausing and then spinning as the cool gusts broke through the heat. He lit the lamp on the secretary and began to write to his wife. Gnats fell and rose again from the illuminated green blotter. He gave her an account of himself, forgetting that he had felt nervous, restive, and unwell. He said nothing about what had happened at the office. It did not seem worth saying. He wrote swiftly and exuberantly; he discussed the weather, he mentioned that Wilma had drunk the beer, that the parks were terribly crowded. Then he found himself telling her about his nephew, writing with sudden emotion, the words beginning to sprawl as his hand raced. In a changed tone he described Elena. He had been afraid to look at her, he confessed, when she got into the cab and he laid the bundled-up child--she had him in two blankets although the temperature must have been over ninety-on her lap. All the impressions of the moment returned to him--the boy's eyes with the light of the meter on them, the leathery closeness of the back seat, the driver's undershot jaw and the long peak of his black cap, Philip's crying, Villani keeping back the children on the sidewalk. The beating of Leventhal's heart rose and his tongue became dry. As for his brother... But when he had written Max's name he stood up and leaned over the paper. He had meant to send the night letter before coming up. The pen was staining his fingers. He dropped it and began looking for his shoes outside the circle of lamplight. He had just found them and was forcing his feet into them without bothering about the laces when his bell rang, piercingly and long. Leventhal straightened up with a grunt of annoyance and surprise. "Now who in the name of hell would ring like that?" he said. But he already knew who it was. It was Allbee. It must be. He opened the door and listened to the regular sibilance and knocking of the footsteps in the hollow stair well. It occurred to him that he could escape Allbee by going to the roof. If he went out stealthily he could still get away. And if he were followed, the next rooftop was only a matter of six inches away, an easy step over. Then he could get into the street and good-by. He could go even now. Even now. Yet he stood firm and strangely enough he felt that he had proved something by doing so. "I won't give ground," he thought. "Let him. Why should I?" He promptly went back to his letter, leaving the door open. He finished it abruptly with a few perfunctory sentences and read it over. He wrote "All my love," signed his name, addressed the envelope, and by that time Allbee was in the room. He knew that he had come in; nevertheless he controlled his desire to turn. He stamped the envelope first, sealed it, momentarily guessed at its weight, and only then did he appear to take notice of his visitor, who smiled at him without parting his lips. To enter without a knock or invitation was an intrusion. Of course the door was open, but it was taking too much for granted all the same not to knock. Leventhal thought there was a trace of delight in the defiance of Allbee's look. "I owe him hospitality, that's how he behaves," passed through his mind. "Yes," he said tonelessly, indifferently polite. "You're well fixed up here," said Allbee taking in the room. He might have been comparing it with his own place. Leven-thal could imagine what that was like. "As long as you're here, sit down," Leventhal said. "What's the use of standing?" He would not get rid of him without hearing him out, and it might as well be now as another time. "Much obliged," said Allbee. His head came forward courteously and he seemed to read Leventhal's face. "It's a long pull up those stairs.
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain