Free The Reapers: A Thriller-CP-7 by John Connolly Page B

starker. There was a laptop computer, a desk, and a chair. The shelves were lined with music and books, the music leaning, perhaps surprisingly, toward country, with an entire section for black artists: Dwight Quick, Vicki Vann, Carl Ray, and Cowboy Troy Coleman from the moderns, DeFord Bailey and Stoney Edwards from the earlier period, along with a little Charlie Pride, Ray Charles’s Modern Sounds in Country and Western, some Bobby Womack, and From Where I Stand, a boxed set detailing the black experience in country music. Louis found it hard to understand why so many others of his race failed to connect with this music: it spoke of rural poverty, of love, of despair, of faithfulness and infidelity, and these were experiences known to all men, black as well as white. Just as poor black people had more in common with poor whites than with wealthy blacks, so too this music offered a means of expression to those who had endured all of the trauma and sadness with which it dealt, regardless of color. Nevertheless, he had resigned himself to being in a minority as far as this belief was concerned, and although he had almost managed to convince his partner of the merits of some things at which he might previously have scoffed, including regular haircuts and clothing stores that did not specialize in end-of-line sales, black country music—in fact, any country music—remained one of Angel’s many enduring blind spots. The apartment consisted of a modern kitchen, rarely used, that led into a large living room cum dining room, and Angel’s workshop, all on the lower floor. On the upper floor, there was a luxurious bathroom that Louis had appropriated for himself, leaving the en-suite shower room to his partner; Louis’s office; a smaller guest bedroom, with a small shower room, neither of which had ever been used; and the main bedroom, which was lined with closet space and, apart from the odd book, remained, by mutual effort and consent, in a state of interior design catalog neatness. There was a gun safe behind the mirror in the guest shower room. Whenever they were in the apartment, the safe remained open. At night, they each kept a weapon close at hand in the main bedroom. When the apartment was empty, the gun safe was kept locked and the mirror carefully put back in its original position using a hinge-and-lock mechanism operated by a small click switch a finger’s length behind the glass. They took care of the cleaning and maintenance of the apartment themselves. No strangers were ever admitted, nor friends or acquaintances, of which there were few in any case.
    They hid in plain sight, these men. They used prepaid cell-phones, switching them regularly, but they never paid for the devices themselves: instead, homeless men and women were given money to make the purchases in stores scattered over four states, and a middleman was used to collect and pass on the phones. Even then, the cells were used only when absolutely necessary. Most of their calls were made from pay phones.
    There was no internet connection in their apartment. A computer was kept in an office rented by one of Louis’s many shell companies, which they used on occasion for more delicate searches, but often a cyber café was sufficient for their needs. They avoided email, although when required they employed Hushmail to send encrypted messages, or embedded codes in seemingly innocuous communications.
    Wherever possible, they used cash, not credit cards. They were part of no loyalty programs, and they bought Metrocards for the subway as they needed them, disposing of them when they were exhausted and replacing them with new ones instead of recharging the originals. Utilities were paid for through a lawyer’s office. They had learned the best routes to take on foot and by car to avoid security cameras, and the lights that illuminated the license plates on the vehicles they used all contained infrared bulbs designed to flood video cameras operating at near