Free A Brief Guide to Native American Myths and Legends by Lewis Spence

numbers, it will be impossible to speak in any detail, and it will be sufficient if we confine ourselves to some account of the more outstanding figures. As in all mythologies, godhead is often attached to the conception of the bringer of culture, the sapient being who first instructs mankind in the arts of life, agriculture, and religion. American mythologies possess many such hero-gods, and it is not always easy to say whether they belong to history or mythology. Of course, the circumstances surrounding the conception of some of these beings prove that they can be nothing else than mythological, but without doubt some of them were originally mere mortal heroes.
Michabo
    We discover one of the first class in Michabo, the Great Hare, the principal deity of the Algonquins. In the accounts of the older travellers we find him described as the ruler of the winds, the inventor of picture-writing, and even the creator and preserver of the world. Taking a grain of sand from the bed of the ocean, he made from it an island which he launched in the primeval waters. This island speedily grew to a great size; indeed, so extensive did it become that a young wolf which managed to find a footing on it and attempted to cross it died of old age before he completed his journey. A great ‘medicine’ society, called Meda, was supposed to have been founded by Michabo. Many were his inventions. Observing the spider spread its web, he devised the art of knitting nets to catch fish. He furnished the hunter with many signs and charms for use in the chase. In the autumn, ere he takes his winter sleep, he fills his great pipe and smokes, and the smoke which arises is seen in the clouds which fill the air with the haze of the Indian summer.
    Some uncertainty prevailed among the various Algonquian tribes as to where Michabo resided, some of them believingthat he dwelt on an island in Lake Superior, others on an iceberg in the Arctic Ocean, and still others in the firmament, but the prevalent idea seems to have been that his home was in the east, where the sun rises on the shores of the great river Ocean that surrounds the dry land.
    That a being possessing such qualities should be conceived of as taking the name and form of a timid animal like the hare is indeed curious, and there is little doubt that the original root from which the name Michabo has been formed does not signify ‘hare’. In fact, the root
wab
, which is the initial syllable of the Algonquian word for ‘hare’, means also ‘white’, and from it are derived the words for ‘east’, ‘dawn’, ‘light’, and ‘day’. Their names proceeding from the same root, the idea of the hare and the dawn became confused, and the more tangible object became the symbol of the god. Michabo was therefore the spirit of light, and, as the dawn, the bringer of winds. As lord of light he is also wielder of the lightning. He is in constant strife, nevertheless, with his father the West Wind, and in this combat we can see the diurnal struggle between east and west, light and darkness, common to so many mythologies.
    Modern Indian tales concerning Michabo make him a mere tricksy spirit, a malicious buffoon, but in these we can see his character in process of deterioration under the stress of modern conditions impinging upon Indian life. It is in the tales of the old travellers and missionaries that we find him in his true colours as a great culture-hero, Lord of the Day and bringer of light and civilization.
The battle of the twin-gods
    Among the Iroquois we find a similar myth. It tells of two brothers, Ioskeha and Tawiscara, or the White One and the Dark One, twins, whose grandmother was the moon. When they grew up they quarrelled violently with one another, and finally came to blows. Ioskeha took as his weapon the horns of a stag, while Tawiscara seized a wild rose to defend himself.The latter proved but a puny weapon, and, sorely wounded, Tawiscara turned to fly. The drops of blood which fell