night.â
Jake doesnât say anything as he leads me out of the barn. Thereâs something much more disturbing than the cud and the constant chewing out here. There are the two carcasses up against the wall. Two woolly carcasses.
Limp and lifeless, both have been stacked up outside against the side of the barn. Itâs not what Iâm expecting to see. Thereâs no blood or gore, no flies, no scent, nothing to suggest these were ever living creatures, no signs of decay. They could just as easily be made of synthetic rather than organic material.
I want to stare at them, but I also want to get farther away. Iâve never seen dead lambs before, other than on my plate with garlic and rosemary. It seems to me, maybe for the first time, that there are varying degrees of dead. Like there are varying degrees of everything: of being alive, of being in love, of being committed, of beingsure. These lambs arenât sleepwalking through life. They arenât discouraged or sick. They arenât thinking about giving up. These tailless lambs are dead, extremely dead, ten-out-of-ten dead.
âWhat will happen to the lambs?â I call to Jake, whoâs walking ahead, away from the barn. Heâs hungry now, I can tell, and wants to hurry up, get inside. The wind is picking up.
âWhat?â he yells over his shoulder. âYou mean the dead ones?â
âYeah.â
Jake doesnât reply. He just keeps walking.
Iâm not sure what else to say. Why didnât he say anything about the dead lambs? Iâm the one who saw them. Iâd rather ignore them, but now that Iâve seen them, I canât.
âWill anything happen to them?â I ask.
âI donât know. What do you mean? Theyâre already dead.â
âDo they stay there, or get buried or anything?â
âProbably burn them at some point. In the bonfire. When it gets warmer, in the spring.â Jake continues walking ahead of me. âTheyâre frozen for now anyway.â They didnât look all that different from lambs that are alive and healthy, at least in my mind. But theyâre dead. Thereâs something so similar to living, healthy lambs, but also so different.
I jog to catch up, trying not to slip and fall. Weâre far enough away from the barn now that when I turn back, the shape of the two lambs looks like a single inanimate form, a solid massâa bag of grain resting against the wall.
âCome on,â he calls, âIâll show you the old pen where they usedto keep pigs. They donât have pigs anymore; they were too much work.â
I follow him along the path until he stops. The pen looks abandoned, untouched for a few years. Thatâs my feeling. The pigs are gone, but the enclosure is still there.
âSo what happened to the pigs?â
âThe last two were quite old and werenât moving around much anymore,â he says. âThey had to be put down.â
âAnd they never got any new ones or baby pigs? Piglets. Is that how it usually works?â
âSometimes. But I guess they never replaced them. Theyâre a lot of work and expensive to keep.â
I should probably know better, but Iâm curious. âWhy did they have to put the pigs down?â
âThatâs what happens on a farm. Itâs not always pleasant.â
âYeah, but were they sick?â
He turns back and looks at me. âForget it. I donât think youâd like the truth.â
âJust tell me. I need to know.â
âSometimes itâs hard, out here on a farm like this. Itâs work. My parents hadnât been inside the pen to check on the pigs for a few days. They just tossed their food into the pen. The pigs were lying in the same corner day after day, and after a while, Dad decided heâd better have a good look at them. When he went inside, the pigs didnât look well. He could tell they were in some
Taming the Highland Rogue