of the summer sky, some faint brown shreds of cloud whirled into nothingness. The great buildings about me stood out clear and distinct, shining with the wet of the thunderstorm, and picked out in white by the unmelted hailstones piled along their course. I felt naked in a strange world. I felt as perhaps a bird may feel in the clear air, knowing the hawk wings above and will swoop. My fear grew to frenzy. I took a breathing space, set my teeth, and again grappled fiercely, wrist and knee, with the machine. It gave under my desperate onset and turned over. It struck my chin violently. One hand on the saddle, the other on the lever, I stood painting heavily in attitude to mount again.
âBut with this recovery of a prompt retreat my courage recovered. I looked more curiously and less fearfully at this world of the remote future. In a circular opening, high up in the wall of the nearer house, I saw a group of figures clad in rich soft robes. They had seen me, and their faces were directed towards me.
âThen I heard voices approaching me. Coming through the bushes by the White Sphinx were the heads and shoulders of men running. One of these emerged in a pathway leading straight to the little lawn upon which I stood with my machine. He was a slight creatureâperhaps four feet highâclad in a purple tunic, girdled at the waist with a leather belt. Sandals or buskinsâI could not clearly distinguish whichâwere on his feet; his legs were bare to the knees, and his head was bare. Noticing that, I noticed for the first time how warm the air was.
âHe struck me as being a very beautiful and graceful creature, but indescribably frail. His flushed face reminded me of the more beautiful kind of consumptiveâthat hectic beauty of which we used to hear so much. At the sight of him I suddenly regained confidence. I took my hands from the machine.
* * * * *
from C HAPTER XIV
T HE F URTHER V ISION
âI have already told you of the sickness and confusion that comes with time traveling. And this time I was not seated properly in the saddle, but sideways and in an unstable fashion. For an indefinite time I clung to the machine as it swayed and vibrated, quite unheeding how I went, and when I brought myself to look at the dials again I was amazed to find where I had arrived. One dial records days, another thousands of days, another million of days, and another thousands of millions. Now instead of reversing the levers I had pulled them over so as to go forward with them, and when I came to look at these indicators I found that the thousands hand was sweeping round as fast as the seconds hands of a watchâinto futurity. Very cautiously, for I remembered my former headlong fall, I began to reverse my motion. Slower and slower went the circlinghands until the thousands one seemed motionless and the daily one was no longer a mere mist upon its scale. Still slower, until the gray haze around me became distincter and dim outlines of an undulating waste grew visible.
âI stopped. I was on a bleak moorland, covered with a sparse vegetation, and gray with a thin hoarfrost. The time was midday, the orange sun, shorn of its effulgence, brooded near the meridian in a sky of drabby gray. Only a few black bushes broke the monotony of the scene. The great buildings of the decadent men among whom, it seemed to me, I had been so recently, had vanished and left no trace: not a mound even marked their position. Hill and valley, sea and riverâall, under the wear and work of the rain and frost, had melted into new forms. No doubt, too, the rain and snow had long since washed out the Morlock tunnels. A nipping breeze stung my hands and face. So far as I could see there were neither hills, nor trees, nor rivers: only an uneven stretch of cheerless plateau.
âThen suddenly a dark bulk rose out of the moor, something that gleamed like a serrated row of iron plates, and vanished almost immediately in a depression.
Sharon Kleve, Jennifer Conner, Danica Winters, Casey Dawes