have a personal stake in such things. So when a young woman fails to appear for the first day of training, I become concerned.
Especially in the case of a talented young woman like Olivia.
7
Liv
S omething smells like death .
I struggle to open first one eye, then the other, feeling like my eyelids weigh a thousand pounds apiece. My body is numb and heavy, and I can’t seem to orient myself. I have no idea where I am, only that I feel a damp, dank coldness sinking into my clammy skin. Even opening my eyes doesn’t help very much, as it’s almost pitch-black wherever I am right now. I might as well be blindfolded, for all the good my eyesight does me here. I blink impotently in the darkness, willing my arms to move, to feel, to do anything at all. But everything is so stiff and immobile, like I’ve been paralyzed. My muscles simply won’t answer to my brain’s instructions.
Am I dying? Am I dead?
My throat feels coarse and thick but I need to make some kind of sound. What if I’m not alone in here? Where are my parents? Am I in the hospital?
Then it dawns on me that I’m not in North Carolina anymore; I’m in France. My sluggish brain trudges through the train of memories. I came to Paris to study and train under world-renowned gymnastics coaches. I came here alone. This is my first night in Paris, and…
Maggie! Where is she?
I was with her earlier tonight — I know that much, even though the rest of the night is still so foggy. I try to open my mouth to speak, but it appears that some kind of restraint is wrapped around my head, cloth fabric pressing in on my lips to keep me from forming words. Summoning all my strength and focusing every sleepy nerve of consciousness, I manage to push a moaning sound out of my vocal chords. Somewhere to my right I can hear a similar groan, more akin to a whimper, high-pitched and fearful. Maggie.
My heart starts to race as the full gravity of our predicament settles in around me. We’re being held somewhere dark and dank, we cannot move or speak, and we have no idea where we are. At least, I have no idea. I wonder if maybe Maggie knows something — not that I can ask her, since neither of us can talk at the moment. I decide that’s got to be the most important thing, the first order of business. I’ve got to get this thing off of my mouth.
But how can I do that when my arms don’t work?
I grunt and strain, willing my arm muscles to respond to me, all in vain. I feel so detached from my own limbs, like they don’t belong to me. I can’t even figure out if they’re restrained or if I’m simply paralyzed. Closing my eyes, I decide to start small, with just my fingers. I try to recall the sensation of wiggling my fingers, and slowly but surely my fingers start to twitch. I let out a gasp of relief, realizing that I must not be totally paralyzed. I wonder if I may have been drugged, and now the effects are beginning to wear off. That must be it.
Who would have drugged me, though? Where did this happen? How did we get here?
A handsome, smirking face framed with sunshiny golden hair swims lazily to the forefront of my mind and I remember with a jolt: Will met us at a pub. He bought us drinks. We danced and I felt him rubbing up against me from behind, his hands grabbing at my hips as I feebly resisted. I remember being led into the backseat of a big, black car…
And from there, the sensation of something sickeningly sweet and icy cold being pressed into my face, that frigid sweetness swarming into my nose and making me feel weak. I suddenly recall watching some crime drama on television years ago in which a girl was knocked out with a rag to her face — chloroform, it was called? Did that really happen to me? How could this be happening? I have training in the morning. I haven’t spoken to my parents in hours and hours. Surely somebody will notice that I’m missing, that something is terribly wrong.
I work on bending my wrists next, and from there the rest of