Free The Dance of Reality: A Psychomagical Autobiography by Alejandro Jodorowsky Page A

dowry in the form of the shop keys, was accepted again although never pardoned: she was a traitor like Teresa, married to him by force but still in love with another, some imbecile whose large penis must surely be his only notable quality. My mother submissively accepted her relegation to second place, following Jashe’s orders to serve and obey her husband no matter how despicable he might be in order to avoid embarrassment among the Jewish community. On their first night back together Jaime possessed her with the same fury with which he desired to punish Teresa, with the same rancor, the same hatred. I was conceived by a sperm thrown like a gob of spit.
     
    Poor Sara, so white skinned, so humiliated, felt like an intruder in life, just like me. Her father had burned himself alive. In Moisésville, the Argentine village where the immigrants arrived believing they had reached the new Palestine but which in fact was an inhospitable terrain, the people shut their doors and windows when they saw that torch of a man bounding along the street yelling for help. Jashe, six months pregnant, saw her blond husband becoming a black skeleton through a peephole in the side door. Three months later she married Moishe (a traveling necktie salesman), gave birth to Sara, and in the following two years to Fanny and Isidoro.
     
    Fanny was born so dark skinned that they called her La Negra. With her kinky hair, large lower lip, and ears as big as her father’s she grew up myopic, ungraceful, and conceitedly ugly. She was cunning, drew attention to herself, and was attracted to power. Little by little she brandished the scepter of modesty, allowing a demure appearance, rabbinic morals, and unctuous reverence to preside in the face of gossip. She wore away at what little virility Isidoro had, making him into her bland lackey, and, occupying the center of the family, expelled Sara to the peripheral zone of derision, sarcasm, and criticism. Sara was unusual, an extreme case; pale as a corpse, she did not know how to handle herself, could not avoid attracting attention, projected an air of embarrassment, and was doomed to end up unhappy. The proof: while Fanny married her first cousin to prevent outsiders from entering the family, Sara fell in love with a communist, a pauper, an assimilated man who was practically a goy.
     
    My mother, accustomed to having to fight to gain her mother’s affection since childhood (and always losing the battle) identified Raquel with Fanny, Jaime with Jashe, and became enmeshed in a triangular relationship in which jealousy took the place of love. She delayed her daughter’s maturation as long as possible. She forced Raquel to keep her hair cut above her neck until age thirteen and forbade her to wear necklaces, earrings, rings, brooches, nail polish, lipstick, or fine lingerie. One day, hypocritically aided by Jaime, Raquel proclaimed her rebellion by appearing with a short skirt, a daring neckline, silk stockings, red lipstick, and false eyelashes. Sara, mad with rage, threw a hot iron at her head. Luckily, Raquel dodged it, only losing a piece of an earlobe. Seeing the blood flow, Jaime punched my mother in the eye. She collapsed, writhing like an epileptic, screaming for her mother . . .
     
    Thus began a new era that I observed as if from a great distance, from another planet: Raquel’s beauty blossomed while Sara shut herself away in deep silence, Jaime became very accepting of my sister’s caprices, and she never spoke a word to me, looking through me as if I were invisible. All I was allowed to have was a suit, a pair of shoes, three shirts, three pairs of underpants, four pairs of socks, and a wool vest. My sister accumulated a wardrobe with an impressive array of dresses, dozens of boots, and drawers full of all kinds of clothing. Her hair, rendered lustrous by imported shampoo, grew to her waist. In full makeup she was as beautiful as the Hollywood actresses on whom she modeled herself, and Jaime