on t-v concerning this incredible new invention, a machine so delicate in sense perception that it can follow trails much as bloodhounds did for centuries. But this machine, without fail, always finds its quarry!"
Montag put his empty glass down and he was cold.
"The machine is self-operating, weighs only forty pounds, is propelled on seven rubber wheels. The front is a nose, which in reality is a thousand noses, so sensitive that they can distinguish 10,000 food combinations, 5,000 flower smells, and remember identity index odors of 15,000 men without the bother of resetting."
Faber began to tremble. He looked at his house, at the door, the floor, the chair in which Montag sat. Montag interpreted this look. They both stared together at the invisible trail of his footprints leading to this house, the odor of his hand on the brass doorknobs, the smell of his body in the air and on this chair.
"The Electric Hound is now landing, by helicopter, at the burned Montag home. We take you there by t-v control!"
So they must have a game, thought Montag. In the midst of a time of war, they must play the game out.
There was the burned house, the crowd, and something with a sheet over it, Mr. Leahy — yes, Mr. Leahy — and out of the sky, fluttering, came the red helicopter, landing like a grotesque and menacing flower.
Montag watched the scene with a solid fascination, not wanting to move, ever. If he wished, he could linger here, in comfort, and follow the entire hunt on through its quick phases, down alleys, up streets, across empty running avenues, with the sky finally lightening with dawn, up other alleys to burned houses, and so on to this place here, this house, with Faber and himself seated at their leisure, smoking idly, drinking good wine, while the Electric Hound sniffed down the fatal paths, whirring and pausing with finality right outside that door there.
Then, if he wished, Montag could rise, walk to the door, keep one eye on the t-v screen, open the door, look out, look back, and see himself, dramatized, described, made over, standing there, limned in the bright television screen, from outside, a drama to be watched objectively, and he would catch himself, an instant before oblivion, being killed for the benefit of a million televiewers who had been wakened from their sleeps a few minutes ago by the frantic beep-beeping of their receivers to watch the big game, the big hunt, the Scoop!
"There it is," whispered Faber, hoarsely.
OUT of the helicopter glided something that was not a machine, not an animal, not dead, not alive, just gliding. It glowed with a green phosphorescence, and it was on a long leash. Behind it came a man, dressed lightly, with earphones on his shaven head.
"I can't stay here." Montag leaped up, his eyes still fixed to the scene. The Electric Hound shot forward to the smoking ruins, the man running after it. A coat was brought forward. Montag recognized it as his own, dropped in the yard during flight. The Electric Hound studied it for only a moment. There was a whirring and clicking of dials and meters.
"You can't escape." Faber mourned over it, turning away. "I've heard about that damned monster. No one has ever escaped."
"I'll try, anyway. I'm sorry about this, Professor."
"About me? About my house? Don't be. I'm the one to be sorry I didn't act years ago. Whatever I get out of this, I deserve. You run, now; perhaps I can delay them here somehow — "
"Wait a minute." Montag moved forward. "There's no use your being discovered. We can erase the trail here. First the chair. Get me a knife."
Faber ran and fetched a knife. With it, Montag attacked the chair where he had sat. He cut the upholstery free, then shoved it, bit by bit, without touching the lid, into the wall incinerator. "Now," he said, "after I leave, rip up the carpet. It has my footprints on it. Cut it up, burn it, air the house. Rub the doorknobs with alcohol.
J. S. Cooper, Helen Cooper