Free Ever After by Graham Swift

by
    Your loving
            Matthew

6
 
    I was born in December 1936, in the very week that a King of England gave up his crown in order to marry the woman he loved. Naturally, I knew nothing about this at the time and, of course, other events than the Abdication Crisis were then at large in the world. But I have always felt that the timing of my arrival imbued my life, for better or worse, with a sort of fairy-tale propensity. I have always had a soft spot (a naïve view, I know) for the throneless ex-king sitting it out on the Riviera. And I have often wondered whether my mother’s pangs with me on that December day were eased by that concurrent event which must have been viewed by many, rather than as a crisis, as a welcome intrusion of Romance, allowing them fondly to forget for a moment Hitler, Mussolini and Franco. All for Love. Or, the World Well Lost. “Let … the wide arch of the ranged empire fall!” (As indeed it began to do under poor, put-upon George VI.) All for love, yes.
Amor vincit
 …
    And Paris, fairy-tale city, might have endorsed the point. Paris, with its enchanted streets and eternal air of licensed felicity, might have taken me to its heart. Was there any other city in the world in which to live but Paris? (I thought this even aged nine.) I might have become one of those countless aspirants who have flocked to the city by the Seine and become great artists, great dreamers or great liars. I might have become, trained in the free school of my mother and Sam, a great
boulevardier
, a great philanderer. I might have lived the life of Riley. But my fatherdied before I had even passed the gates of puberty. And what I became was—bookish.
    Though this did not happen immediately. If the truth be known, when we returned to England I didn’t grieve for my dead father. I didn’t want to grieve for him. I didn’t want to think of him. I didn’t want to think of my father as the man who had fired a gun at his head. I grieved for my adorable ballet-girls, who by this stage had received honorary names—delicious, seductive French names, Yvette, Simone, Michelle—who, even then, were alive and literally kicking, stretching their beautiful limbs in the ballet school, utterly ignorant of my distant worship and entirely without need of it.
    And this was not a good time for grief. Or rather, it was a very good time for grief, which made one little parcel of it unexceptional and negligible. People had got used in recent times to the fact that every so often, so it seemed, nature required a culling, and thus to mixing a little callousness with their sorrow. Perhaps it was only after my father’s demise that the war, which I had lived through but conceived of as some remote, rumbling, impenetrably grown-up affair, became real for me. It was about death: slaughter, bodies, casualty lists.
    And if I did not grasp the general point, I had the specific reminder of Ed. Shot down, aged nineteen-and-a-half, over the blue Pacific. That photo of his grinning brother became Sam’s trump card. How could I take out my feelings on Sam, how could I unleash on him all the venom due an arrant usurper (a murderer in all but name), when he neatly reminded me that we were companions in the same grim business of bereavement?
    And what was an “accident” with a pistol in a Paris office to the Battle of the Coral Sea? (“Yep, a lot of brave boys went down.…”—his sentence would end in a mimeticgulp.) And what was my father’s death to the deaths of the fathers of other boys (I met them, these high-grade orphans) who had died, as the saying went, “in action?” My father, soldier though he was, had died in circumstances which required from me either a considerable degree of risky inventiveness or a suspect, rumour-breeding silence.
    And how could I deny—for all his exploitation of it—Sam’s plight? You are twenty-one years old, happily exempted, for complex reasons of primogeniture and your father’s