Audrey Hepburn. They ainât so sure about you. You win the ugly prize down catfish alley.â
He looked at the painting. âYou know, I sort of like the idea of a dog on the bank.â
âMrs. Chandler wonât come back,â Julie said. Defeat had flattened her voice. âSheâll tell her friends weâre New York snobs.â
âWell, she got a point.â Princess said. âI favor garlic, anchovies and a hot chili with this beauty. That how you cook it in New York?â
âWeâre bust,â Julie said. âFinished.â
âI donât think New York ever saw a catfish,â Luis said. âImmigration hasnât got a catfish quota.â He had meant to tell them about saving Freddy Garcia from the wolves, but now wasnât the right time. âChin up, old girl,â he said, and wished he hadnât. This wasnât World War Two. This was serious. This was Art. Unless it was crap. He gave up.
4
When he was eight, and visiting his uncleâs farm, Tony Feet got too interested in the action and the rear wheel of a tractor ran over his feet. Luckily his boots were new, the ground was soft, and the broken bones healed, but ever afterward he walked delicately, as if he didnât completely trust the ground beneath him. When he joined the Organization he was called Tony Feet, not in mockery, but because a lot of Tonys worked there.
He came down the steps from the airliner and Eugene Lutz met him. They talked in the car. âSo we buried the wrong body,â Feet said. âI used to wonder who put Blanco in the lake. Problem was, he blew the whistle on so many of our people, itcould have been any one of them. Or anyoneâs brother-in-law. Some cop, even. Plenty on the payroll.â
âI know. I paid them.â
âYou get a good look at him?â
Lutz nodded. âI could tell straight off. I called his name and he jumped three point seven feet off the ground and pissed himself a pint and a quarter.â Feet laughed. âTwo percent margin of error,â Lutz said. âEither way.â
âGet a load of this sunshine. Why canât Chicago be in Texas, Gene?â
âItâs a penance,â Lutz said. âFor inventing chewing gum.â
A man called Fitzroy was waiting in the lobby of Lutzâs apartment block. Fiftyish, thin, anonymous except for his eyes. He had tailorâs eyes: they felt your wallet while they measured your inside leg. âMr. Giancana mentioned a photograph,â he said. Tony Feet gave him a dozen prints. âHeâs put on fifty pounds,â Lutz said. âLost a lot of hair, too.â
âIâve got my people out looking,â Fitzroy said. âIf heâs in El Paso, weâll find him.â
âIf heâs in El Paso
he
might want to find
you,â
Feet said to Lutz. âYou scared him. Go pack a bag. You and me, weâll stay at a hotel. Whatâs the best?â
âThe Bristol,â Fitzroy said. âMy cousinâs the manager. It will be an honor. No charge.â
âSee?â Lutz said. âYou should live here, Tony. People are real friendly.â
âOne of your guys goes in the Lutz apartment,â Feet told Fitzroy. âIn case Blanco calls.â
Fate had been a big disappointment to Frankie Blanco. Heâd given it his best shot, and what had it come up with? First off, nothing much. And now, too much. Fuck fate. Youâre fired.
That was one good decision, and it made him feel better, so he had another idea: go hide in Mexico. For what? Forever? The idea began to hurt his brain. Lousy idea.
Stick to what youâre good at, Frankie,
his mother had always said. He was good at whacking people and at pumping gas. He had the Texaco job, no strain on the brain, so long as you didnât smoke near the pumps. He went back to work.
Between cars, he wondered how come Eugene Lutz was in El Paso. Someone in Chicago