they sat down Miriam murmured, âI donât understand why you screamed.â
Mrs Venables flustered like a disturbed hen. âI was surprised, I didnât know what it was. Then it knocked my tray flying.â
âAnd then you screamed. After it was gone.â
âI suppose I froze. You donât expect to see something like that.â
âLike what?â She waited but there was no reply. âWas it a dog, Esme? You screamed because a dog upset your tray? It doesnât seem like you. You might have yelled and thrown something at it but I wouldnât have thought youâd have screamed.â
The housekeeperâs eyes flared, alarm lingering in their depths. âI donât know what it was. I barely saw it, just the size of it and the movement. It was dark and big, and it movedââ
âLike a dog?â
âI donât know. It was fast like a dog. Butââ
âYes?â
She shook her head firmly, refused to think any more about it. âIt must have been a dog. It couldnât have been anything else.â
Richard brought in the tea and scones and an assortment of crockery designed for other meals. Helping herself to jam, Miriam chuckled. âPerhaps it belongs to one of the builders. Perhaps his wife wonât have it in the house.â
Mrs Venables shuddered. âI donât blame her.â
The incident had broken everyoneâs train of thought. They took the opportunity to stretch their legs, wander round, admire the view.
Richard took his cup to the window to watch the city closing down for the weekend. Midway through Friday afternoon, already everyone who could was heading out. The roads were twisting multicoloured ribbons of high-powered transport engineered for travel at a hundred miles an hour but here restricting one another to about three.
The tweed suit that had as much personality as some people heâd known arrived at his shoulder. He waited for Miriam to speak but for a while she just stood beside him watching the city wind down.
At length she said, âWhy are you here really?â
The directness of that edged him on to the defensive. âI need â some help with my job.â
âYou have a good career â even Iâve heard of you. I canât tell you anything about television reporting.â
âI had a good career. I lost my nerve.â
âWhat you call losing your nerve others might call learning some sense.â
Richard smiled. âYouâve been talking to my wife.â
âAh. An intelligent woman.â
âShe wants me to cover Westminster and come home nights. She reckons dodging bullets is a young manâs game.â
Miriam winced. âShe really knows how to put the boot in, doesnât she?â
Richardâs grin broadened, then faded. âMaybe sheâs right. Maybe seven years is enough. Maybe itâs not something you should try making a lifeâs work of.â
âBut?â
He wasnât convincing himself either. âBut actually thatâs crap. There are some great foreign correspondents in their fifties. Till this last year I always meant to be one.â
âWhat happened this year?â
His eyes widened. âWhat didnât? Mostly that charnel-house that for the sake of political correctness we call Former Yugoslavia. Look, Iâm no virgin. I know what it is to look, and look carefully, at images no station could show. I know what itâs like talking to people whoâve suffered acts of appalling barbarism, and then travelling five miles up the road to talk to the guy responsible who thinks itâs all right to use people as kindling as long as their churches have a different symbol on the roof. Even so, some of the stuff theyâve done to each otherââ He shook his head in helpless disbelief.
âBut Bosnia isnât the only place where the inconceivably awful gets worse every time you look.