He seemed much happier than usual. Like the tooth had made him feel a little giddy, Zoe thought.
Then his face turned serious and Zoeâs heart sank. But relief rushed over her when he began to speak.
âI need to get formal for a minute and tell you that you can change your mind and leave now,â said Emmett. âWhat if what you see is more than you can bear? Youâre going to the land of the dead. Itâs not an easy journey.â
Zoe shook her head. âI donât care.â
âThis is your last chance,â said Emmett. âWhat if you get stuck? What if youâre so overcome with grief and longing that you canât let your fatherâs spirit go? What if the Animagraph breaks down? Itâs an ancient machine. Things can go wrong. Youâll be stuck with your body in the world of the living, while the thinking, feeling part of you will be lost in a world of ghosts.â
Zoe clenched her jaw. Emmettâs infuriating, exasperating questions had knocked her off balance and were bringing back some of the darkness and doubt.
âI donât fucking care.â
âOkeydoke,â said Emmett lightly. He tossed the tooth in the air once, caught it, and dropped it into the breast pocket of his work shirt. âI have to ask. Make sure youâre going of your own free will. Standard disclaimer stuff.â
âPlease, just hook me up.â
âAt your service, maâam.â
He put his hands on Zoeâs shoulders, steered her to the Animagraph, and began fastening the claustrophobic crisscross of straps and buckles around her head. Before he pulled the blinders over her eyes, he said, âHold out your hand.â Zoe obliged and he dropped three objects into her palm. All were white. Two were circular and one was shaped like a little plastic tube.
âWhat are these?â
Emmett went back to the straps. âThe two round ones are aspirins. The plastic tube is a kind of herbal smelling salts. Believe me, youâre going to need them all when you get back.â He stopped talking while he tightened a couple of extra-small buckles. âWhen you return, just swallow the aspirin and break the tube under your nose. Or, if you prefer, I could do it for you.â
âThatâs okay,â said Zoe. She didnât like the idea of someone else doing something that sounded so strange and oddly intimate, much less him. She wished heâd shut up about sending her away and just do it.
âIâm ready,â she said.
Emmett pulled the last few straps into place. âBlast off in three. Two. One.â
Zoe heard the familiar sound of a needle hitting a record groove. Then the ground opened up and she began to fall.
S oon the feeling of falling became a feeling of rushing, as if she were being swept down a river in powerful rapids. Only there was no water and no sound, just the ceaseless push and pull of her body as she tumbled through the dark. The air smelled wet and rank and she might have brushed against stone a few times. Zoe felt as if she could let herself be swept along forever. There was something comforting about the idea of just letting go.
S he was sitting in the window seat of a crowded bus. Next to her was an old woman in a yellow floral housecoat and an elaborate hat covered with fake flowers. Like a crazy Easter bonnet, she thought. Other passengers filled the aisle, holding on to overhead straps. There were old men and women, their faces liver-spotted and lined with age. There were people her parentsâ age and some hers. There were even some children packed together in the back.
This wasnât like a normal San Francisco city bus. It looked very old. The interior angles were rounded and there were small patches on the ceiling where the paint had peeled off. The seat sagged and the fabric had been repaired with thick, coarse thread. The big diesel engine under her feet groaned and strained at every turn.
Long shadows