âItâs me,â he whispers.
âWhat are you doing?â
âI need a pee.â
She snorts crossly and flumps back down onto the mattress. âCould you try not waking everyone up when you come back?â
âSorry,â he says, and slips out, banging the lantern on the doorframe.
âFor Godâs sake!â
âSorry!â
He clicks the door shut behind him. Heâs so full of guilt and terror theyâre like the gas inside a balloon: heâs stretched out, about to pop. He wipes his hands on his pajamas and gives the lantern a few noisy cranks, conjuring a thin and brutally white light. He has to go through with it now. He patters downstairs, feeling invisible eyes following him. The Abbeyâs twice as big in the dead of night, and older too, and somehow alive. He turns the handle as he goes, dreading the thought of darkness catching up with him. Its noise sounds like a ghost groaning.
The fireâs out in the big room. They wonât light it again until the next evening, itâs not properly cold yet. The cellars are freezing, though, and heavy and shadowy as a tomb. Thatâs why they use them to store food. He hurries to the larders. Thereâs a squashy sack full of plastic bags on the floor. He takes one out and starts filling it, too desperate to get this over with to think about what heâs picking up. Apples. Carrots. Beans. Floppy skeins of samphire.
âRory?â
He drops the bag. The food spills out and rolls around his feet.
Kateâs in the doorway, wearing a raggedy dressing gown and fluffy slippers and carrying a tiny night-light in the shape of a cube. Its orangey glow falls mostly on her hands.
He stands stock-still while the apples slowly come to rest. He doesnât have a single word to say.
The slippers must be padded, because Kate makes almost no noise as she comes in, squats down, and starts picking things up. He ought to help instead of watching her scrape around on the floor, but he canât move. Some carefully built tower is about to blow down. Some structure he lives by is on the point of collapse.
âYou know,â Kate says, âif you think you need extra you only have to ask.â
She props her arms on her knees and looks at him. He feels as tiny and worthless as a mote of dust.
âNo one owns any of this,â she says. âItâs not like the old days.â She puts the last couple of things in the bag and straightens up, swinging it thoughtfully from one finger. âEverythingâs for everyone. If someoneâs hungry, itâs fine, you can have a bit more, as long as thereâs enough for the rest and you really do need it.â She holds the bag out to him. âThere you go.â
Sheâs waiting, so he takes it. Kateâs like that. Itâs hard not to do what she wants. She has that particular sort of kindness that makes you feel utterly helpless.
âThe thing is, though.â She puts her hands on her hips. Pinkâs lantern hasnât been spun for a while so itâs faded almost to nothing. The little night-light shows the torn pocket of Kateâs dressing gown; he can hardly see her face at all. âWe all have to know who needs what. Otherwise anyone could say, I need this, I need that, and it might not be fair. Thatâs why you always have to ask. See?â
âYeah,â he whispers. He actually tries to say the word properly but he canât.
âOtherwise . . .â She pauses, thinking about it. âOtherwise itâs like saying your needs are more important than everyone elseâs. Like saying, Iâm hungry and I donât care whether everyone else is hungry too, me being hungry is the only thing that matters. Which is the thing we canât do anymore. Isnât it?â
âI know,â he says. Being told off by Kate in her Nice way is actually worse than being told off by his mother in her tearful