clipping.â
âAbout Claude?â
âHe got a medal â an iron cross or something â he was working for the German police all the time. His real name is Claude Winkler, or some name like that. His mother was French, they say. He betrayed Marius and old Madame Baroni and poor Steve Champion, too.â
I drank my whisky. âAll that time and he was working for the Abwehr.â
âThe Abwehr â how could I forget that word,â said the Princess.
âAnd they let us go on functioning,â I said. âThat was cunning.â
âYes, if theyâd arrested us all, others would have replaced us. It was clever of them to let us continue.â
âSo Claude was a German,â I said. âWhen I think of all those months â¦â
âAnd the RAF escape-route,â said the Princess. âThey let that continue, too.â
I nodded. âAs long as the flyers came through here, London would be convinced that all was well.â
âI would kill him,â said the Princess. âIf he came in this bar now, Iâd kill him.â
âClaude Winkler,â said Schlegel, as the Princess got up from the bar stool in order to pour more drinks for us. âDo you know what he does now?â
âYes,â said the Princess. âHe still works for the Boche Secret Police.â She poured drinks for us. âThe nerve of the man! To come back here again.â
I put my hand over my glass. She poured whisky for herself, and this time Schlegel too had whisky.
âIâll kill him if he comes in here,â she said again. âPeople think Iâm a silly old woman, but Iâll do it, I promise you.â
âClaude
lâavocat
,â I said. There were more tourists now, peering into the bars, reading the menus and looking at the crude daubs that the âartistsâ sold on the waterfront. None of them came into this bar: it was a dump, just as Schlegel said. Fly-specked old bottles of watered-down cognac, and re-labelled champagne. Bar girls with fat legs and unseeing eyes. And upstairs, broken beds, dirty counterpanes and a âbadger manâ who came in and shouted âThatâs my wife!â before even your pants were down.
âSo Claude betrayed us,â I said.
âAre you all right?â said the Princess.
âIâm all right,â I said. âWhy?â
âYou look like you are going to be sick,â she said. If you work in a bar for thirty years, you develop a sharp eye for people who feel sick.
8
âWe didnât just
want
to murder him; we planned the killing.â
Serge Frankel did not look up. He put the big magnifying glass over the envelope and examined the stamps carefully. Then he moved it to look at the franking marks. âYes, we planned it,â he said. He rubbed his eyes and passed the envelope to me. âTake a look at that cancellation. What does it say?â
I leaned across the desk, careful not to disturb the trays and the tweezers and the small fluorescent lamp that he used to detect paper repairs and forgeries. I looked closely at the envelope. The stamping machine had not been applied evenly. One side of the circular mark was very faint. ââVarick St Sta â¦â Could it be Varick Street Station?â
âCan you make out the date?â
âMay something nineteen thirty.â
âYes, well thatâs what it should be.â He picked it up, using only the tips of his fingers. It was a foolscap-size cream envelope, with three large US stamps on it and a big diamond-shaped rubber stamp that said âFirst Europe Pan-America Round Flight.
Graf Zeppelin
â.
âIs it very valuable?â I asked.
He slid it into a clear plastic sleeve and clipped it into a large album with others. âOnly for those who want such things,â he said. âYes, we planned to kill Claude
lâavocat
. That was in 1947. He gave evidence at one