they give you the shudders. I canât help watching Hedge. He cuts the cheese up with a heavy old clasp knife he takes out of his pocket, and puts a chunk of it into his mouth with a lump of bread. He talks as heâs munching, and splutters crumbs through his dreadful teeth.
âYou bin plantinâ things again,â he says to Mum, as if itâs a crime.
She turns a bit pink and says, âMrs Potter gave me these sweet-pea seedlings, so I thought Iâd better get them in.â
He shakes his head. âYou canât be plantinâ now, not when the moonâs goinâ down. You need to catch her when sheâs risinâ. Thaâs when things grow.â
âOh, I see,â Mum says. âSorry.â
âNuther time, you just leave âem to me.â
âYes, perhaps Iâd better.â
My dad isnât a bit like Hedge. He plays the piano, and when we go to the library, he borrows old, dusty books that nobody else would bother with. Heâs hopeless about gardening. He saw some flowers growing by the coal shed once and said, âThose are nice,â and Mum said, âTheyâre dandelions.â I quite like dandelions, really.
Mum shouts through the window to Ian, âDo you want some milk and biscuits?â
âNo!â he shouts back. âThree hundred and ten.â
He goes on counting. I canât imagine how he got to be so good at numbers when heâs so young. But then, I canât imagine why Pauline has such a struggle with French.
2
The Start of It
Madame Souris a une maison.
Mrs Mouse has a house
.
Pauline and I are in a house. Itâs underground, so there arenât any windows, but there are gold medals all over its walls, in between framed oil paintings of mice. We won the medals because weâre very good at French
.
âWhat a dreadful noise,â says Mrs Mouse, frowning at us as she wipes her paws on her apron. âItâll be a tractor. Thatâs the trouble when you let humans in, they bring their machinery with them.â
I was going to tell her I donât have a tractor, but then I woke up. Madame Souris was right, there
is
a noise. Itâs not atractor, though. It sounds more like a motorbike, but louder, with an engine thatâs not working very well. Itâs coming closer.
Du-du-du-du-du-du-du-du-DU-DU-DU
â Good, itâs stopped. Turn over, go back to sleep again.
BANG!
The explosion shakes me in my bed.
Thatâs
heavy
, I think. Iâm used to bombs, I know the difference between the high-explosive ones and the lighter firebombs, but this is something new. The crash was incredibly loud, and Iâve never heard anything like the stuttering engine sound. And if thereâs a raid on, why havenât we heard the air-raid siren? Why arenât the guns firing?
Ianâs woken up, heâs crying. I switch my light on. I can hear Mum getting out of bed. Dadâs not here, heâs on fire-watch duty at the bank in London where he works. All the staff have to take a turn, and this weekend itâs him.
The motorbike noise is starting again.
Itâs very scary. I pull the bedclothes over my head and curl up like a caterpillar,though I know itâs useless. It takes more than an eiderdown to keep you safe, but having something close and warm round you makes you feel better.
The noise is coming closer â
du-du-du-du-du-DU
â itâs stopped.
BANG!
The explosion comes at once this time, and even louder.
Mum opens the door. Sheâs in her dressing gown, and Ianâs beside her, clutching his old bit of blanket and Bun, this rather bald rabbit that he has to have at night.
âKatie, love, weâd better get downstairs,â Mum says.
âWhat was it?â
Stupid question â she canât know.
âCould have been a damaged aeroplane that crashed. Only I canât see why there should be two. Come on, quickly.â
The noise is
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain