Free Outlander by Diana Gabaldon

in the forearms. I smelled a faint flowery scent, as of lavender water, and something more spicy, mingled with the sharper reek of male perspiration. As the leaves whipped back into place in the path of our passage, though, I noticed something familiar about the hand and forearm clasped about my waist.
    I shook my head free of the restraint over my mouth.
    “Frank!” I burst out. “What in heaven’s name are you playing at?” I was torn between relief at finding him here and irritation at the horseplay. Unsettled as I was by my experience among the stones, I was in no mood for rough games.
    The hands released me, but even as I turned to him, I sensed something wrong. It was not only the unfamiliar cologne, but something more subtle. I stood stock-still, feeling the hair prickle on my neck.
    “You aren’t Frank,” I whispered.
    “I am not,” he agreed, surveying me with considerable interest. “Though I’ve a cousin of that name. I doubt, though, that it’s he you have confused me with, madam. We do not resemble one another greatly.”
    Whatever this man’s cousin looked like, the man himself might have been Frank’s brother. There was the same lithe, spare build and fine-drawn bones; the same chiseled lines of the face; the level brows and wide hazel eyes; and the same dark hair, curved smooth across the brow.
    But this man’s hair was long, tied back from his face with a leather thong. And the gypsy skin showed the deep-baked tan of months, no, years, of exposure to the weather, not the light golden color Frank’s had attained during our Scottish holiday.
    “Just who are you?” I demanded, feeling most uneasy. While Frank had numerous relatives and connections, I thought I knew all the British branch of the family. Certainly, there was no one who looked like this man among them. And surely Frank would have mentioned any near relative living in the Highlands? Not only mentioned him but insisted upon visiting him as well, armed with the usual collection of genealogical charts and notebooks, eager for any tidbits of family history about the famous Black Jack Randall.
    The stranger raised his brows at my question.
    “Who am I? I might ask the same question, madam, and with considerably more justification.” His eyes raked me slowly from head to toe, traveling with a sort of insolent appreciation over the thin peony-sprigged cotton dress I wore, and lingering with an odd look of amusement on my legs. I did not at all understand the look, but it made me extremely nervous, and I backed up a step or two, until I was brought up sharp by bumping into a tree.
    The man finally removed his gaze and turned aside. It was as though he had taken a constraining hand off me, and I let out my breath in relief, not realizing until then that I had been holding it.
    He had turned to pick up his coat, thrown across the lowest branch of an oak sapling. He brushed some scattered leaves from it and began to put it on.
    I must have gasped, because he looked up again. The coat was a deep scarlet, long-tailed and without lapels, frogged down the front. The buff linings of the turned-back cuffs extended a good six inches up the sleeve, and a small coil of gold braid gleamed from one epaulet. It was a dragoon’s coat, an officer’s coat. Then it occurred to me—of course, he was an actor, from the company I had seen on the other side of the wood. Though the short sword he proceeded to strap on seemed remarkably more realistic than any prop I had ever seen.
    I pressed myself against the bark of the tree behind me, and found it reassuringly solid. I crossed my arms protectively in front of me.
    “Who the bloody hell are you?” I demanded again. The question this time came out in a croak that sounded frightened even to my ears.
    As though not hearing me, he ignored the question, taking his time in the fastening of the frogs down the front of his coat. Only when he finished did he turn his attention to me once more. He bowed