done. He tells the director how heâs gonna play his part, and if he doesnât like the producer he has him barred from the set. But directors, producers, anybody can play the power game, especially agents. You keep score by getting so many points for being seen with the right people, driving a Ferrari or a Rolls, what table you get at Spago or The Ivy, what well-known actress blew you on location, how many of your phone calls to the real power players in town are returned, all that kind of bullshit.â
Harry paused. He was getting off the track, wasting time.
âBut when Leo tried to play the game, you pulled it out from under him. That was pretty neat, itâs a good scene.â
Harry paused again and was aware of the refrigerator humming in the silence. It was too bright in here, uncomfortable and his head ached. He didnât want to move, though. Not now.
âI like the coat story, too, you mentioned. It plays, but would work better if it wasnât a flashback. What it does, though, it shows you know how to handle yourself in that kind of situation. I imagine in your line of work there were other times . . .â
âIâm out of that now.â
âBut there were times, right, you had to get tough? Say one of your customers stopped paying?â
âThey always paid,â Chili said. âOh, Iâve smacked guys. Smacking was common, just an open-hand smack. Iâm talking to a guy trying to get my money, he looks away and I smack him in the face. âHey, you look at me when Iâm fuckin talking to you.â Like that, get their attention. See, the kind of people we were dealing with, a lot of âem thought they were tough guys, you know, from the street, guys that were basically hustlers, thieves, or they were into drugs. We had them besides the legit people, who ordinarily didnât give us any trouble, always paid on time. I think what youâre getting at, Harry, you have the same attitude as some of the legitimate people I did collection work for. Like a car dealer, or a guy runs a TV store . . . Theyâre carrying a deadbeat, they want you to get the money and they donât care how, break his fuckin legs. Thatâs the first thing they think of, come up with that statement. I say to âem, âHowâs he gonna pay you heâs in the hospital?â They donât think of that. They want a piece of the guy and their money.â
Harry said, âWell, youâve been in some tight spots. The business with Ray Bonesâthatâs a good name for a character. I meant to ask you, you werenât arrested for shooting him that time?â
âBones had the idea of doing me on his own,â Chili said. âHe told the cops it happened out on the street, an unknown assailant come up to him. He still wants to do me, itâs on his mind.â
âAnd you still have to pay him?â
âYeah, only we have a different arrangement now. I talked to Tommy Carlo on the phone. . . . Youhave to know Tommy, his personality, he gets along with everybody. Jimmy Cap I mentioned, Capotorto? He always liked Tommy. But he has to go along with Ray Bones up to a point, Rayâs his guy. So Jimmy Cap says split what the dead guy owes, me and Tommy, fuck the running vig, a flat eight grand each and thatâs it, forget it.â
âYou spoke to Tommy,â Harry said, leaning over the table on his arms. âSo now he knows Leoâs still alive.â
âDid I say that?â
Harry sat back again, questions popping in his mind along with the headache, but wanting to appear relaxed, the producer showing a certain amount of interest in a story.
âSo you didnât happen to mention it to him,â Harry said and grinned at the deep-set eyes staring at him. âYou want Leo Devoe for yourself.â
âWhat I donât want,â Chili said, âis Ray Bones finding out. Tommy, heâd think