that?â
Pete rolls his eyes. âMust you scream at everything? Keep your knickers on. Somethingâs just fallen off a seat.â
âAre you mental?â Alice shouts. âI didnât scream!â She turns to me. âDid I scream?â
I shake my head automatically.
From below us, the noise comes again.
Pete drops to his knees. âThe bus driver, then.â
âHe came around before, didnât he?â says Alice. âHe does that, thatâs his thing. Wakes up, passes out, wakes up, passes out.â
I crawl to the hatch.
âSlowly,â Pete cautions.
I lift the hatch just a crack. We peep inside. From where Iâm lying I can only see the front of the bus, and thereâs no one there. Or theyâre hiding behind a seat. I bob up and look toward the road. Smitty has climbed back up now. Heâs at the entrance to the parking lot. Soon heâll be at the bus door.
âIâm going to lift the hatch all the way open,â I whisper to Pete and Alice. âWe need to look in the back.â
Alice clutches the neck of her jacket. Pete nods.
I carefully swing the lid of the hatch all the way over until it rests on the roof of the bus. We all shift around, three polar bears fishing in an ice hole, and peep in the other direction.
There is less light in the back of the bus â the improvised barricade on the back window blocks out the sun â and it takes a few seconds for my eyes to adjust, but I can see something near the backseat. A figure, facing away from us, bent over as if fastening shoelaces. Slowly, it straightens up, vertebra by vertebra. I recognize the regulation blue coat, the pale blue shirt collar, and thinning gray hair.
âIt
is
the driver!â Alice shouts, her voice light with relief. âThank god.â
The driverâs head turns around to face the direction of the noise. Turns around completely. Without the rest of his body following.
Then
Alice really does scream.
The driverâs visage rushes into view as if through a zoom lens. A face of purple and brown, like a bashed-up fruit. His jaw hangs slack, his head lolls, and there is some kind of green discharge oozing from his mouth. His eyes are milky, unfocused for a second, then his neck snaps up straight and his body turns to face the same direction. An arm is flung out toward us, and my motherâs best cashmere scarf trails through the air in a bloody arc.
Alice screams again. I grab the hatch lid, shut it tight, and sit on it.
âOi!â
Thereâs a shout from the front of the bus. Smitty.
âWhatâs going on? Let me in, will ya?â
I leap up. âSit on that!â I command Pete and Alice, and skitter over to the end of the bus. Smitty is standing by the doors, hands on hips. âItâs the driver!â I call down to him. âHeâs woken up and heâs one of them!â
Smitty stares up at me as if I am speaking another language. A crash makes him look farther down the bus, and the expression on his face turns to sickening comprehension. No further explanation needed.
âWeâre stuck up here.â
âHow fast is he moving?â
âI donât know!â I shrug uselessly.
âLetâs see.â
Smitty runs along the side of the coach, slaps the window.
âOi! Mister! Hell-o!â
âWhat are you doing?â
Smitty tracks back and slaps the next window down.
âThatâs right, this way!â he shouts. He moves to the next window and thumps again. âIâm here!â
âStop it!â Alice slithers to the edge of the bus roof on her belly like a candy-colored salamander. âDonât make him angry!â
âI can outrun him, easy!â Smitty shouts. âIâll get him out and double back.â
âYes!â Alice cries. âQuickly!â
Smitty reaches the final window, then hits the button on the door. I realize what wonât happen a