toward the rooftop. The most solitary place in the Âbuilding.
I begin to follow, but she puts a hand on my arm and whispers, âPeter needs you.â
I turn toward the nursery. Inside, I find my son sitting up in his makeshift bed. The light is dimmed and the floor is strewn with books and stuffed animals from the nearby crib. Peter is breathing so hard he looks as if heâs been running.
âWhatâs wrong?â I say.
The air around him is wet and warm. He reaches out his arms.
âNightmare?â I ask.
This is the age when night terrors and sleepwalking begin. Simon fell prey to both. I raise his gangly body into my lap and stroke his head.
âCan we read about Totti again?â he whispers, half-delirious.
Totti. The starting second striker for Roma.
âOf course,â I tell him.
He leans forward and paws the dark floor for his book. But heâs careful not to exit my lap. Iâve already left him once.
âItâs over, Peter,â I promise him, kissing the damp back of his head. âThereâs nothing to be afraid of. Youâre safe here.â
I stay beside him for a while after he falls asleep again, just to be sure. By the time I slip out, Leo has returned home, and Sofia is heating him a plate of food. In the kitchen I see him rub her belly while leaning across it for a kiss. Before they can invite me to join them around the table, I excuse myself to look for Simon on the rooftop.
HIS HAIR IS WINDSWEPT and wild. His face is drawn. He is staring down at the lights of Rome the way I imagine a sailorâs widow would stare at the sea.
âYou okay?â I ask.
His hand, tapping for cigarettes from his emergency pack, is unsteady.
âIâm not sure what to do,â he murmurs, not turning to look at me.
âMe either.â
âHeâs dead.â
âI know.â
âI called him this afternoon. We talked about his exhibit. He canât be dead.â
âI know.â
Simonâs voice grows thinner. âI sat beside his body, trying to wake him up.â
A dull pang forms in my chest.
âUgo poured himself into this show,â my brother continues. âGave it everything.â He lights a cigarette. A look of grinding disgust crosses his face. âWhy let him die a week before opening night? Why let him die right on the doorstep?â
âHuman hands did this,â I say. A reminder of where his anger should be directed.
âAnd why bring me there?â he continues, not listening.
âStop. None of this was your fault.â
He blows a long plume of smoke into the darkness. âIt was my fault. I shouldâve saved him.â
âYouâre lucky you werenât there. The same thing couldâve happened to you.â
He glares bitterly at the sky, then peers down at the empty spot where we used to play as boys. One of the Guard families would inflate a plastic swimming pool on this terrace. All that remains is a water stain.
I lower my voice. âDo you think this could have to do with the Shroud? Moving it here from Turin?â
Tendrils of smoke creep from his nostrils. I canât tell whether heâs considering it.
âNo one couldâve known it was moved here,â he says flatly.
âWord couldâve gotten out. People hear things. The same way we just did from Leo.â
It wouldâve taken a team of men to load the new Shroud reliquary onto a truck. Priests to open the chapel. Then more men and more priests to unload it here. If just one of them had mentioned the news to a wife, a friend, a neighbor . . .
âUgo was on the truck that night,â I say. âAnyone else who was involved wouldâve seen him. Maybe thatâs why they came after him.â
âBut they didnât see you or me. Why come after us?â
âWhat do you think happened, then?â
Simon flicks an ash off the tip of his cigarette and watches an ember