Free The History of History by Ida Hattemer-Higgins

of her relationship with the Zionist Arlosoroff; about Magda’s own efforts on behalf of the Zionist movement as a young woman. Regarding the Soviet inquest, she learned that Magda killed her children with the help of a doctor, that none of the children had struggled, except the oldest girl, who, according to the coroner’s report, had bruises on her body and so apparently had been held down. No one was sure exactly what the poison was, as the Russian coroner had not been able to ascertain, but it left the tips of the children’s fingers yellow. When Margaret read this, she was very quiet inside, her thoughts slowing and then stopping altogether, her head pulsing.
    It was almost morning. Margaret got out of bed. She had a thick twist of energy in her chest.
    She took a gesso board out of the closet. She flipped through the biography of Magda, to its glossy centerfold pictures. She propped the book up on the desk. Over the gesso board, her hands moved. She was surprised at herself, and frightened. Her fingers were of steel, and she applied so much pressure to the stick of charcoal that twice she broke it. Finally she drew with only a nub. She watched as Magda Goebbels’s face bloomed in black lines. Magda Goebbels’s face rose up, in the form of a glamour shot taken in Magda’s youth. It was a young face, from the time before she had given birth to any of her six children with Goebbels.
    The image of the face held Margaret and mesmerized her. It had traces of all the later forms of ugliness that came to dominate—the low, heavy brow bone; the snideness of the lines between the wing of the nose and outer corner of the lip; the thin mouth; the priggish tilt of the forehead. And yet—and here is where Margaret dragged her charcoal back and forth, craving the curve: something, something in the young face was still bleeding, still searching for metaphysics, and Margaret carefully traced every softness and hardness. She felt her disgust stretching, becoming a concentration that was almost tenderness.
    Later she took out oils. She brought in color. One corner of the face became so vivid, it seemed ready to move. Margaret, possessed by some devil, produced a large, cold face, with silver-blond, salon-waved hair—a face glaring out at her with civilized eyes and callousness. Margaret brought in the squeezed-out bits of light and dark, settingthe woman’s hair to gleaming, the shadows of her nostrils to deepening. And finally, Magda Goebbels stared out at Margaret Taub, pert and quizzical.
    As dawn broke , Margaret was in bed. The last thing she remembered before falling asleep was that she could feel the heat of a bird at the window, the slash of its wings against the glass—although it may have been nothing more than the rain grown violent.

SEVEN • Privacy and Devotion
    T he Grunewaldstrasse was an old West Berliner street, too far behind the front lines to have been rocked by the fall of the Wall or any other terror of the metropolis, so the street did not want for eyes, the kind of eyes that grow like lichen if a street knows no heavy winds.
    Even an abbreviated inventory must include the eyes of the old lady from Armenia with bottle-black hair, who leaned permanently from the window of a half-height flat that was squeezed under the airy
belétage
at Number 89. She folded her arms across the cobwebbed ledge and watched, especially at night. Although it was not unheard of that a pedestrian’s eyes wandered up and met the old lady’s by accident, something about the way her eyelids squared with her brow seemed to suggest a lack of involvement: “have no fear” they seemed to say—“we will not tell a soul if we see you hot-wire a 1986 Mercedes.” Meanwhile, across the street, two glossy dogs were on standby behind the door at the Internet café. They had eyes as blue as forget-me-nots, with the same yellow center, and roused themselves for the man in a neon orange traffic cop’s uniform, who passed several times