dollar plus change, for a whole green tin decorated with pictures of Korean medicinal herbs. I took the candy as an apology.
A shrill cawing from above us made me jump. I expected something big and black, Poe-ish, but a dove-sized bird, blue and white colors clean as a school mascotâs, landed at our feet.
âDo you know what that is?â Doug asked.
âA bird.â
âItâs a
kachâi
. Theyâre a sign of imminent good fortune.â
âHow do you know all this?â
âI suppose my mother must have told me.â
âItâs funny.â The last vestiges of my anger melted away with the
mok kehndi
. âI never cared about Korea before. When I was in high school, they had these summer camps for adoptees to learn about Korean culture, but I never considered going. I mean, what did Korea have to do with
me
and my life? But now I kind of wish Iâd gone, learned at least a little about Korea.â
âItâs not too late to learn,â he said. âThatâs why you came on the Motherland Program, right?â
âIâm not sure why I came. Semester at Sea was a close second.â
âWell, here, I can teach you a song about the
kachâi
. No, wait, thatâs just for the Lunar New Year. How about
âSan Tokiâ
?â
âWhatâs that?â
âThe little mountain rabbit song. Every single Korean kid knows it.â
San to-ki, To-ki ya
,
O-di ro ka nyu nya?
Kkang chung kkang chung kkang kkang chung
ko geh ro
â¦
The third time, he asked me to join in. I tried, then stopped.
âWhatâs up, donât you like the song?â
âI donât know what Iâm singing.â
â
San
is mountain and
toki
is rabbit.â
âTo-ki,â
I repeated.
â
O-di ro ka nyu nya
is âwhere are you going.ââ
I repeated.
âYeah. And
kkang-chung, kkang-chung
is the sound of the rabbit hopping.â
âGang-chung.â
âKkang-chung,â
he said. âPut a little more emphasis on the ï¬rst âkkâ sound.â
âGgang-chung,â
I gagged.
âBetter.â
He started again. Into my head came a picture of a rabbit hopping.
We sang together, softly at ï¬rst, but then louder, ï¬nally with gusto, as if âLittle Mountain Rabbitâ were a sea chantey. The Sound of Music hikers stopped on their way to the
yak-su
to observe us, puzzled by two adults braying out a childrenâs song. One of the old men, however, clapped approvingly when we ï¬nished.
O-di ro ka nyu nya?
I sat back on the rough-hewn bench, savored the breeze. So this was springtime in Korea, a place that was both polluted and beautiful, with the smells of industrial pollution mixing with that of a living earth warming, of ï¬owers and fertile insects. I looked past the smog to the overhead sky: intense, Windex-blue, once again almost close and solid enough to touch. The sight of it set off an intense feeling of longingâbut for what, I didnât know.
I glanced over at Doug Henderson, planning to make conversation to ï¬ll up the empty spaces. His face was also tipped up toward the wispy clouds. He was singing, silently, to himself and suddenly I knew he was no longer here, but somewhere far, far away. Had he, too, come to Korea to search for something? Was he like me and perhaps didnât even know what that something was and was hoping that in time, it would make itself clear?
KYUNG - SOOK
Enduring Pine Village
1993
The river of memory ï¬owed on. Its sights and sounds became particularly vivid to Kyung-sook in the quiet of the late afternoon, when a kind of calm settled over the market. By then, the most serious customers had come and gone, so the merchants, stomachs heavy from their lunch of cold noodles or dried-cabbage-leaf stew, stretched out for a nap. Cooking Oil Auntie snored from a bench in front of her black-and-white TV. The medicine seller ducked
Christine Zolendz, Frankie Sutton, Okaycreations